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Pauline Oliveros In The Arms Of Reynols:
Alan Courtis remembers an unlikely collaboration

The Argentinian guitarist talks about telematic improvisations and Reynols’s noisy collaboration with the late composer

Anla Courtis

Microtonal Drifts, Anla Courtis 2014.

April 1994, Pauline Oliveros was in Buenos Aires making her only visit to Argentina. Her Deep Listening workshop took place over a whole weekend exploring diverse techniques for listening and producing sound. I remember an exercise called “Angels And Demons”, in which all the participants walked around casting out demons and angels through their voices. The room was full of sounding presences. This inspiring experience was the starting point of a friendship that has been going on ever since.

In her book Sounding The Margins Pauline described in detail her encounter with “a couple of intense and punkish looking young men”. That unusual confluence was followed some years later by the release of the remix album Pauline Oliveros In The Arms Of Reynols (White Tapes, 1999).

Somewhere on the inserts of its first edition – which included a spraypainted tape and a small bag of sand – you could read: “The Heavy Deep Listening Metal Band”. The phrase sounds somewhat funny but reading it now it set my mind wondering. How could this gentle lady be interested in collaborating with 20 year old guys coming from a totally different background? Why did she allow us to use bootleg cassette recordings of her solo concerts and process them with a bunch of distortion pedals? How, being a well-known meditation music figure, did she embrace all those noisy sounds?

The possible answer is: Pauline was one of the most open-minded persons I’ve ever had contact with. Mircotonalist? Electronic musician? Accordionist? Composer? No, she was actually beyond categories. I mean she was always searching for new horizons and very curious about everything. Intense and gentle, precise and creative, sometimes she’d come up with something happily unexpected:

“I have dropped the d! Can you hear the sound of the d dropping?
ddddddddddddddddddddddddddddddddddddddddddddddddddddddddd!”

But at the same time she was truly coherent and extremely active, not only playing and composing but also teaching, writing, publishing and coordinating many activities at her Deep Listening Space or somewhere on the worldwide network of deep listeners she helped to create.

Furthermore, we shouldn’t forget Pauline’s innovating approach to technology. She has always been interested in the new possibilities opened up by computers and new media. Some examples: she developed her own Expanded Instrument System (EIS); contributed to the development of music software for people with disabilities (AUMI); and worked with diverse collective music projects through the internet like The Avatar Orchestra Metaverse or The Telematic Circle. In the last field we both had a singular experience, playing a duo show via the internet which came to be called “Between Dreams: A Telematic Exchange”. That was in October 2009 for Pauline’s partner Ione’s Dream Festival, with Pauline playing at The Shirt Factory in Kingston, New York, while I was at my home studio in Buenos Aires, with the strange results being streamed live. After the netcast, we were thinking and joking together via email about the oneiric and phantasmatic qualities involved in telematic improvisation, especially when it comprises several seconds of latency between the improvisors.

However, digital technology wasn’t everything for her. In fact she was also very connected to acoustic sounds, often employing acoustic instruments as a seashell horn, a just intonation accordion and of course the wonderful overtone singing of her own voice. In addition she also composed instrumental pieces for many different instrumental line-ups, revealing the the full breadth of her musical range.

I was obviously shocked when I received the sad news. During this year we’d been in touch quite frequently since I was translating – along with Ximena Alarcón – some of her texts into Spanish. She was always kind, enthusiastic and supportive about this project, replying to every single mail which, considering her age, was in itself remarkable. During the last few days many images of Pauline have come to mind: I remembered her playing... calmly driving along the beautiful landscapes next to the Hudson River... slowly swinging in her garden’s hammock... or just breathing.

“Have you heard the sound of atoms dreaming in a new orbit?” Honestly, Pauline, I’m still trying to hear it, but wherever you are now I’m sure you’re tuned to that sound.

Info
Info
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Liquid Architecture is an Australian organisation for artists working with sound. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.

Our program stages encounters and creates spaces for sonic experience, and critical reflection on sonority and systems of sonic affect. To do this, we host experiences at the intersection of contemporary art and experimental music, supporting artists to produce performances and concerts, exhibitions, talks, reading groups, workshops and recordings in art spaces, music venues and other sites.

Liquid Architecture is curatorially driven and our methodology embraces research, collaborations and imaginations. We want to echo beyond local conversations, problems, debates and questions, to reverberate across media and disciplines, and so to sound out new discourses about the audible world, and beyond.

We acknowledge Aboriginal and Torres Strait Islander people as the first sovereign owners of this unceded country. We pay our respects to their Elders, past, present and becoming.

staff

Joel Stern
CEO / Artistic Director Joel Stern is a curator, researcher, and sound artist, concerned with theories and practices of sound and listening. He is the Artistic Co-Director of Liquid Architecture, a leading Australian organisation that stages encounters and creates spaces for sonic experience and critical reflection on systems of sonic affect, at the intersection of contemporary art and experimental music. Stern is part of OtherFilm, an artist collective driven by a central curiosity about the limits of the moving image. He has initiated the experimental residency Instrument Builders Project in 2013. Stern is a PhD candidate in Curatorial Practice at Monash Art, Design and Architecture, where he teaches Sound (in the Space of Art).
Danni Zuvela
CEO / Artistic Director With Joel Stern, Danni is Artistic Director/CEO of Liquid Architecture. Since 2004, Danni has co-directed the artists’ collective OtherFilm (co-founded with Joel Stern [Melbourne] and Sally Golding [London]). In 2013 she joined forces with the Gold Coast-based artist-run gallery The Walls, where worked as the Secretary, Curator and Deputy until 2018. At The Walls, she led programming and strategic initiatives, and she continues to generate socially-engaged experimental projects on the Gold Coast. Danni has an academic background, with a research PhD on experimental film and art history, teaching extensively into her field, and publishing critical writing across a range of publications. Danni’s research informs her curatorial work with interests in feminism, activism, ecology, language and performance.
Georgia Hutchison
General Manager Georgia works across creative disciplines with communities, businesses, cultural institutions and policy-makers. Her education and experience spans arts management; industrial design with a social, sustainable and systemic approach; curatorial and cultural leadership. For the last fifteen years she has worked between universities, studio and non-profit environments—most recently researching artist run economies with All Conference; and communicating the built environment with U-P. As an artist Georgia performs and photographs encounters with material scenarios and social currencies.
Debris Facility
Administrator Debris is a speculative corporate entity working from one human body. The Facility entered into partnership with Liquid Architecture to oversee Administration in 2018 onwards. Participation in events organising alongside practice lead research and exhibition productions pushes Administration into an performative medium. Maintaining an active exhibition profile alongside residencies, teaching, collaborations and contracts, the Facility works to amplify it’s reach through the oscillation of signal to noise ratio’s of im/material contexts of exhibition production, media, performance,wearables, installation and interventions.
Mino Peric
Digital Engagement Mino joined Liquid Architecture as an intern in 2015 and has several years’ experience as a musician and artist. Mino recently completed his Honours at RMIT in Fine Art (Sound) and plays in Melbourne band No Sister.

board

Jennifer Barry
CHAIR JENNIFER BARRY has over 25 years’ experience leading arts organisations, managing creative projects, consulting, producing the work of artists nationally and internationally, and curating public programs. Previous positions include: Manager of Public Programs at Federation Square, Executive Director of Shunpike (Seattle), Director/CEO of Footscray Community Arts Centre, Founder/Director of Keep Breathing, and Executive Producer/Co-CEO of Chunky Move, among others. As a consultant, Jennifer’s clients have included the Australia Council for the Arts, Arts Victoria, the City of Melbourne, the Australian Art Orchestra, and the Australian Network for Art and Technology, among others. She has served on numerous boards and industry panels and is currently Project Director for the Royal Children’s Hospital 150th Anniversary.
David Chesworth
MEMBER DAVID CHESWORTH is an artist and composer, known for his experimental, and at times minimalist music, who has worked with electronics, contemporary ensembles, film, theatre and experimental opera. Together with Sonia Leber, Chesworth has created installation artworks using sound, video, architecture and public participation. Exhibitions include ‘56th Venice Biennale (2015), ‘19th Biennale of Sydney (2014), ‘Melbourne Now’, National Gallery of Victoria, Melbourne (2013-14). Festivals featuring Chesworth’s music and sound works include Ars Electronica, Festival D’Automne de Paris, Bang on a Can Marathon, New York, Sydney Biennale, Adelaide and Melbourne Festivals and MONA FOMA. Early in his career he was co-founder of post-punk band Essendon Airport and for five years was coordinator of the Clifton Hill Community Music Centre in Melbourne. David Chesworth joined the Liquid Architecture Board in 2015.
Jake Goldenfein
SECRETARY JAKE GOLDENFEIN is a lecturer at Swinburne University of Technology, and has taught media law, law and technology and property law at Melbourne School, and Swinburne Law School. He has also been a researcher at the Law, Science, Technology, Society centre at the Free University of Brussels, and the Institute for Information Law at New York Law School. Jake’s PhD focused on surveillance and privacy law, and his current research explored decentralisation governance and automated decision-making. Jake is an admitted lawyer in the state of Victoria, has legal experience working with private and government bodies on matters of privacy law and media law.
Dr Michael Graeve
VICE CHAIR DR. MICHAEL GRAEVE is a sound and visual artist and educator. Michael joined the Liquid Architecture board 10 years ago at the time of incorporation in 2007 and was President and Chair from 2011-2017. Michael has been committed to artist-run culture, developing small arts organisation expertise first as a founding committee member of Grey Area Art Space Inc (1996 -1999) and then as board member and program manager at West Space Inc (2000 – 2004). He exhibits, performs, curates and teaches internationally and teaches in the Sound, Sculpture and Spatial Practice Department, Expanded Studio Practice, Honours and the MFA Program at RMIT University, and has previously taught at The School of the Art Institute of Chicago, Monash University, The Victorian College of the Arts and Victoria University.
Andy Miller
MEMBER ANDY MILLER currently works as the General Manager of Multicultural Arts Victoria. Initially trained as a painter at the Canberra School of Art, Andy Miller worked in theatre for a number of years before working to establish arts programs in the community sector. Following a few years as an arts and cultural officer at two local governments, Andy began a career in the state public service in various senior roles at Arts Victoria and Creative Victoria and was seconded for a period with Creative Partnerships Australia, as Senior Programs Manager. As well as a Bachelor in Fine Arts, he has a Masters in Public Policy and a Graduate Diploma in Arts Management from the University of Melbourne.
Phip Murray
MEMBER PHIP MURRAY is an independent writer and curator, and a part-time academic in the School of Architecture and Design at RMIT where she lectures in the history/theory of art, design and architecture. Phip was Director of West Space from 2008–2012 and, prior to that, an Associate Producer for the Next Wave Festival. Phip has a particular interest in interdisciplinary art practice, and has curated projects such as Time Has Come Today, a program exploring sound, moving image and performance projects (West Space, 2012) and Tyger, Tyger, a new commissions series including projects by Philip Brophy, Constanze Zikos, David Chesworth, and Juan Davila (West Space, 2011-2012).
Mark Nolen
TREASURER MARK NOLEN is a Certified Practising Accountant with extensive experience in the creative industries sector. He is currently Management Accountant at the Australian Centre of the Moving Image, having previously worked in a similar role at Film Victoria. Along the way he has helped countless singers, actors and even clowns get their taxes in order – no laughing matter! When not crunching numbers, you can find Mark sitting back with a fine drop of Scottish Whisky soaking up some even finer tunes.
Kristen Smith
MEMBER KRISTEN SMITH is a legal practitioner with over a decade of experience focused on large scale commercial litigation and class actions. She currently works as an Investment Manager for international litigation financier, IMF Bentham, having previously worked for Slater and Gordon in their Commercial and Project Litigation team. She has also worked at Dundas & Wilson (now CMS) in Scotland and as an Associate to the Supreme Court of Victoria’s Associate Justice Efthim. In 2004, she was awarded the Victoria Law Foundation Chief Justice’s Medal for Excellence and Community Service. She has previously served on the boards of the Australian Communities Foundation and the EastWeb foundation and is currently a member of the M.E.S.S advisory board.

technical

Charlie Freedman
VIDEOGRAPHER
Keelan O’Hehir
PHOTOGRAPHER
Benjamin Portas
MOTION DESIGNER
Jacqui Shelton
PHOTOGRAPHER
Lauren Squire
SOUND ENGINEER
Josh Watson
VIDEOGRAPHER
Public Office
GRAPHIC DESIGN and DEVELOPMENT

comrade

Elena Betros
Clare Cooper
Jason Heller
Anabelle Lacroix
Paris Lettau
Sarah Mccauley
Dr James Parker
Anatol Pitt
Jessica Row
Emily Siddons
Sezzo Snot
Beth Sometimes
Mathew Spisbah
Cara Stewart
Darcy Wedd
Makeda Zucco

Support

Liquid Architecture is a non-profit cultural organisation with Deductible Gift Recipient (DGR) status. We support artists working with sound.

Your support helps us instigate more programs, conduct more research, stage more extensive experiments and more exchanges with artists, and generate more dialogue. And more sound.

You can support us by volunteering your time, coming to events, donating to us directly, or becoming a patron of an artist, or a question.

Contact

info@liquidarchitecture.org.au
FB, IG, YT, SC

PO Box 12315
Melbourne
VIC 8006
AUSTRALIA

LIQUID ARCHITECTURE SOUND INC
ABN 73128090237
ASN A0050679K

Major Sponsors

Privacy Statement

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Liquid Architecture (LA) is committed to protecting the privacy and security of personal information obtained and stored about its audience or clientele, including users of this website. We understand and appreciate that our audience or clientele and users of this website are concerned about their privacy and the confidentiality and security of any information that may be provided to us.

HOW PERSONAL INFORMATION IS COLLECTED

LA collects personal information in a variety of different ways depending on the type of contact that is made with the organisation. LA may also collect personal information over the phone, in person or by electronic correspondence in order to undertake its regular administrative operations.
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WHY PERSONAL INFORMATION IS COLLECTED

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When you look at this website, our Internet Service Provider makes a record of your visit and logs the following information for statistical purposes only – the user’s server address, the user’s top level domain name (for example .com, .gov, .au, etc), the date and time of the visit to the site, the pages accessed and documents downloaded, the previous site visited, and the type of browser used. No attempt is, or will be, made to identify users browsing activities except, in the unlikely event of an investigation, where a law enforcement agency may exercise a warrant to inspect activity logs.

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Events
Events
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CARE - FM[X] PART FOUR
Fri, 18. Sep 2015
West Space, Melbourne
FM[X]: What Would A Feminist Methodology Sound Like?
Fri, 28. Aug–Fri, 18. Sep 2015
West Space
Naturing Nurture
Wed, 23. Aug 2017
Karawatha Forest Discovery Centre
Caitlin Franzmann: Tree-telling 2016
Mon, 18. Jan 2016
MPavilion
Caitlin Franzmann: Tree-telling 2017
Mon, 16. Jan 2017
MPavilion
Caitlin Franzmann: Tree Telling 2018
Mon 22–Sun, 28. Jan 2018
MPavilion
Artists
Artists
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Caitlin Franzmann

Above images filmed by Marcus Salvagno
https://vimeo.com/marcussalvagno

This is an invitation to participate in a series of voice workshops that I will be facilitating for the Liquid Architecture program FM[X] at West Space. FM[X] is a program of artistic responses to the provocation ‘What would a Feminist Methodology sound like?’

My response to this provocation has been inspired from recent debates around vocal trends of young North American and British Women, in particular ‘vocal fry’ – a tendency to draw out the end of sentences with a low creaky voice. In a recent Guardian Article, Naomi Wolf appealed to young women to drop vocal fry and reclaim their strong female voice. She suggested women that adopted upspeak (raising ones voice at the end of a sentence), ‘like’ and vocal fry, risked not being listened to, or taken seriously. In response, sports historian, Erin Riley argues that the term vocal fry and its association with young women is another ‘excuse to dismiss, ignore and marginalise women’s voices, both literally and figuratively’. Many note that the speech patterns are not only adopted by young women and therefore the vilification of women that adopt these trends is a continuation of the problematic policing of women’s voices throughout history.

These discussions have raised several questions for me. What does it mean for a woman to own her power and claim her own voice? Is it possible to disassociate from what dominant society considers a pleasing and authoritative voice? Does the problem lie with the listeners?

I would like to physically and philosophically explore these questions in four x two hour workshops with a diverse group of 5-6 women. The structure of the workshops will involve a combination of group-centred and individual consciousness raising approaches:

WORKSHOP 1 – BODY CONSCIOUSNESS
Our minds and bodies work together. In this session I will take the group through body consciousness exercises to explore inner energies and what our bodies desire to communicate.

WORKSHOP 2 – VOICE
A voice coach will lead this session with vocal exercises to help us discover our vocal possibilities.

WORKSHOP 3 – LISTENING
Listening can sometimes be more difficult than talking. This workshop will introduce the concept of deep listening as hearing in a fully present way without judgment or trying to control the situation.

WORKSHOP 4 – REFLECTIONS
In the final workshop we will reflect as a group on the questions, experiences and feelings raised during the previous sessions. We will revisit some of the activities and collectively decide how to represent the journey to an outside audience.

The FM[X] program invites each artist to respond to the question within a 20 minute slot on Friday 18th September at West Space. This is a process-based project in which the outcome is currently unknown. I am inviting you on this journey because I believe you would be interested in these questions and have an openness to listening, feeling and understanding.

I am not a trained facilitator. I see myself as going on this journey alongside you in the hope that we will each discover new possibilities of our singular and collective voices and find a way to share this with others.

Recent

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Acid House
Adam Hunt
Adelle Mills
Al Burro
Alessandro Bosetti
Alex Cahill
Alex Cuffe
Alice Hui-Sheng Chang
Alrey Batol
Alterity Collective
Amanda Stewart and Jim Denley
Amelia Barikin
Ami Yamasaki
Amrita Hepi
Andrea Juan
Andrew Brooks
Andrew Harper
Andrew McLellan
Angela Goh
Angie Garrick
Anja Kanngieser
Ann Fuata
Anna Homler AKA Breadwoman
Anne-James Chaton
Anthony Lyons and Paul Fletcher
Anthony Magen
Antoinette J. Citizen
Antonia Sellbach with Julie Burleigh and Alison Bolger
Antony Riddell
Aodhan Madden
Armour Group
Astrid Lorange
Astrida Neimanis
Atlanta Eke and Daniel Jenatsch
Atong Atem
Atticus Bastow
Aura Satz
Aurelia Guo
Ava
Áine O'Dwyer

Basic House
Bead
Ben Kolaitis
Berserk
Beth Sometimes & Caroline Anderson
Betty Apple
Bhenji Ra x Del Lumanta x Daryl Prondoso
Bianca Hester
Bigoa Chuol
Black Quantum Futurism
Bobuq
Bon Mott
Botanic Gordon
Brandon LaBelle
Brendan Walls
Brian Fuata
Brian Fuata x Enderie
Brian Hochman
Bridie Lunney
Bruce Russell
Bryan Phillips AKA Galambo
Bunna Lawrie
Burnt Friedman

COCO SOLID AKA Jess Hansell
Caitlin Franzmann
Caleb Kelly
Camila Marambio
Camille Robinson
Caroline Anderson
Carolyn Connors
Carolyn Eskdale
Catherine Clover
Catherine Clover and Peter Knight
Cecilia Vicuña
Celeste Liddle
Ceri Hann
Chloe Alison Escott
Chris Corsano
Chris Vik
Chris Watson
Christof Migone
Christopher LG Hill
Chun Yin Rainbow Chan
Cinnamon Templeton
Clare Cooper
Clare Milledge and Tom Smith
Claudia Nicholson
Clocks and Clouds
Collingwood College Sound Collective
Cordelia Crosbie
Corin
Croatian Amor
Crys Cole
Cured Pink

12 dog cycle
DIVA FINGER
DJ Deeluscious
Dale Gorfinkel
Danae Valenza
Dave Brown
David Chesworth
David Grubbs
David Shea and Kristi Monfries
Debris Facility
Decibel
Demdike Stare
Dennis Del Favero
Desmond Manderson
Dino
Dirk de Buyn
Douglas Kahn
Douglas Quin
Ducklingmonster
Dylan Martorell
Sonia Leber and David Chesworth

Eddie Hopely
Eexxppoann
Ela Stiles
Ellen Fullman
Ellena Savage
Elysia Crampton
Emile Zile
Emma Ramsay
Ensemble Economique
Eric Avery
Eric Demetriou
Eric Demetriou and Herbert Jercher
Eric Laska
Erik Bünger
Eugene Brockmuller
Eva-Maria Raab
Evelyn Araluen Corr
Evelyn Ida Morris
Evelyne Jouanno
Exotic Dog
eves

Faene (Corin x Ju Ca)
Fayen d’Evie and Jen Bervin with Bryan Phillips and Andy Slater
Feminist Theory Group
Fernando do Campo
Fia Fiell
Frances Barrett
Frances Dyson
Francis Plagne
Francisco López
Fujui Wang
Félicia Atkinson

Gabi Briggs
Gail Priest
Geoff Robinson
Geoffrey Gartner
Georgina Criddle
Gerard Crewdson
Germ Studies
Girlzone
Golden Fur

Haco and Toshiya Tsunoda
Half High
Hanna Chetwin
Hannah Brontë
Hannah Catherine Jones AKA Foxy Moron
Hannah Lockwood
Harriet Kate Morgan
Helen Grogan
Helm
Hextape
Hi God People
Hikashu
Holly Childs
Hong-Kai Wang
Hou Hanru
Hsu Chieh
Rosalind Hall and Dave Brown

Is There A Hotline?
Islaja
Ivan Lisyak
id m thffft able

J'Ouvert Ft Makeda and The AM Trio - Ece Yavuz, Alvin Rostant and R
Jack Prendergast
Jackson Eaton
Jacob Kirkegaard
Jacqui Shelton
Jake Goldenfein
Jake Moore
James Grant
James Parker
James Rushford
James Utting-Webb and Riley Lockett
Jannah Quill
Jared Davis
Jasmine Guffond
Jason Kahn
Jeff Henderson
Jen Bervin
Jennifer Stoever
Jennifer Walshe
Jenny Ruth Barnes
Jeph Lo
Jess Sneddon
Jikuroux
Joanna Anderson & Michael Prior
Joe Banks
Joe Musgrove
Joe Talia
Joel Maripil
Joel Spring
Johannes Kreidler
Johannes S. Sistermanns
John Grzinich
John Jenkin
John-Joe Wilson
Jon Rose
Jonathan Kemp
Jordan Lacey
Julia Chien
Julia Drouhin and Pip Stafford

Anja Kanngieser and Daniel Jenatsch
KK Null
Kai-Cheng Dai
Kalinda Vary
Kandere
Kane Ikin
Kangaroo Skull
Karli White
Karolin Tampere
Kate Brown
Kate Geck
Kaya Hanasaki
Keith Fullerton Whitman
Kent Macpherson
Kiah Reading
Kim Satchell
Klein
Kraus
Kusum Normoyle
Kym Maxwell
Kynan Tan

Lacking Sound Festival
Lady Erica
Lara Thoms
Larrie
Las Chinas
Lawrence Abu Hamdan
Leena Riethmuller
Lei Lei Kung
Leighton Craig
Leila El Rayes
Leila El Rayes x Poison
Libby Harward
Lilian Steiner
Lin Chi-Wei
Linda Dement
Lionel Marchetti
Lisa Lerkenfeldt
Lizzie Pogson
LoVid
Lonely God
Lorna & Aunty Jenny Munro
Louis Kennedy
Luciano Chessa
Lucid Castration
Lucreccia Quintanilla
Lucy Cliche
Lukas Simonis
Luke McConnell
Snack Syndicate (Andrew Brooks and Astrid Lorange)

Joseph Jordania and Nino Tsitsishvili with Melbourne Georgian Choir
M J Grant
MTLDA-S
Madboots
Madelynne Cornish
Magic Steven
Makeda
Makiko Yamamoto
Marc Behrens
Marco Fusinato
Marcus Rechsteiner
Maria Moles
Marian Tubbs
Mark Andrejevic
Mark Brown
Mark Harwood
Mark Pollard
Martin Howse
Martina Copley
Masato Takasaka
Match Fixer
Matka
Matthew P. Hopkins
Matthew P. Hopkins & Julie Burleigh
Matthew Sleeth
Matthias Schack-Arnott
Mattin
Maysa Abouzeid
Media Lab Melbourne
Megan Alice Clune
Mehera San Roque
Melissa Deerson
Menstruation Sisters
Michael Green, André Dao, Jon Tjhia, Abdul Aziz Muhamat, Farhad Bandesh, Behrouz Boochani, Shabbir Hussein and more
Michael Pulsford
Michel Chion
Miranda Liebscher
Monica Monin & Astrid Lorange
Moopie
Moor Mother
Music Yared
mOwson+M0wson

(no)signal
Nat Grant
Nathan Gray
Nathan John Thompson
Neil McLachlan
Neil Morris
New Waver
Nicholas Kuceli
Nicky Crane
Nicola Morton
Nikola Mounoud
Nina Buchanan
No Sister
Noel Meek and Olivia Webb

Okkyung Lee
Omahara
Operant
Oren Ambarchi

Pan Daijing
Papaphilia
Pauline Vetuna
Perfume
Perlonex
Peter Brötzmann and Heather Leigh
Peter Szendy
Phil Dadson
Philip Brophy
Pia Van Gelder
Pip Stafford
Pjenné
Poppy de Souza
Prophets
Public Assembly
Puce Mary

Queens of the Circulating Library

Ragtime Frank
Rashad Becker
Rebecca Jensen
Rebecca Ross
Richard Dawson
Richie Cyngler
Rita Revell
Rob Thorne
Robin Fox
Robin Hayward
Robin James
Romy Seven Fox
Rosalind Hall
Roslyn Helper
Ross Bolleter
Ruth O'Leary
Ryan Jekabson
radio cegeste

Saba Vasefi
Sage Pbbbt
Sally Ann McIntyre
Salomé Voegelin
Sam Kidel
Samaan Fieck
Samson Young
Samuel Karmel
Sara Mikolai
Sara Ramshaw
Sarah Byrne
Sarah Edwards
Sarah McCauley
Sarita Gálvez
Saskia Doherty
Scott Morrison
Sean Baxter
Sean Dockray
Seth Kim-Cohen
Severed Heads
Sezzo Snot
Shani Mohini-Holmes
Shelley Lasica
Shi Chao Lai
Sibling
Simona Castricum
Slime
Sondes
SoundWatch
Sovereign Trax
Steph Overs
Still Nomads
Straightjacket Nation
Subterranean Rain
Susan Schuppli
Suzanne Kite
Sweat Tongue

T.Morimoto
TT SKTLS
Tara Transitory
Tessa Laird
Th Duo Trio
Thanh Hằng Phạm
The Charles Ives Singers
The Donkey's Tail
Thembi Soddell
Theresa Wong
Ting Shuo Hear Say
Tom Ogley
Tom Smith
Tralala Blip
True Strength
Tzu Ni
this mob

Unconscious Collective
Undine Sellbach & Stephen Loo
Ur 1st Luv
Ute Meta Bauer

Various Asses

WDK
Waterhouse
Werner Dafeldecker
White Fungus
Will Foster and Sabrina D’Angelo

Xia Lin

Yen-Ting Hsu

Zac Segbedzi
Zach Blas
Zoe Scoglio

Archive
Archive
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