Liquid Architecture is an Australian organisation for artists working with sound. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.
Our program stages encounters and creates spaces for sonic experience, and critical reflection on sonority and systems of sonic affect. To do this, we host experiences at the intersection of contemporary art and experimental music, supporting artists to produce performances and concerts, exhibitions, talks, reading groups, workshops and recordings in art spaces, music venues and other sites.
Liquid Architecture is curatorially driven and our methodology embraces research, collaborations and imaginations. We want to echo beyond local conversations, problems, debates and questions, to reverberate across media and disciplines, and so to sound out new discourses about the audible world, and beyond.
We acknowledge Aboriginal and Torres Strait Islander people as the first sovereign owners of this unceded country. We pay our respects to their Elders, past, present and becoming.
PO Box 12315
Liquid Architecture (LA) is committed to protecting the privacy and security of personal information obtained and stored about its audience or clientele, including users of this website.
We understand and appreciate that our audience or clientele and users of this website are concerned about their privacy and the confidentiality and security of any information that may be provided to us.
This policy applies when liquid architecture determines what information will be collected or disclosed, or how any information will be processed.
We take a broad understanding of what constitutes ‘personal information’. We understand ‘personal information’ to include any information relating to an identified or identifiable natural person. An identifiable natural person is one who can be identified, directly or indirectly, in particular by reference to an identifier such as a name, an identification number, location data, an online identifier or to one or more factors specific to the physical, physiological, genetic, mental, economic, cultural or social identity of that natural person.
We may update this policy from time to time by publishing the new version on our website.
THE TYPES OF PERSONAL INFORMATION LA COLLECTS
The following are examples of the types of personal information that may be collected by the organisation.
- Contact information including email address, phone number, names, gender, organisation, role.
- Connection information including linkages and referrals between people.
- Financial information including amounts paid to LA, donated to LA, or received by LA.
- When you visit our website, our server maintains an access log that includes the following information: the visitor’s IP address, the date and time of the visit to the site, the pages accessed and documents downloaded, the previous site visited, and the type of browser used.
- When you visit our website, cookies are installed on your device that provides information to Google Analytics to give us statistical information about our visitors.
HOW PERSONAL INFORMATION IS COLLECTED
LA collects personal information in a variety of different ways depending on the type of contact that is made with the organisation. We collect personal information both from individuals directly and from third parties.
- Subscribing to LA’s e-newsletter via the website, in-person or other means.
- Registering for LA’s programs of events (eg. performances, workshops, lectures)
- Purchasing a ticket for LA’s programs of events via a ticketing system (eg Eventbrite)
- Making an online enquiry.
- Making an individual donation to LA.
- Becoming a sponsor.
- Submitting a proposal to LA.
- Providing written feedback to LA.
- Through agreements with programming partners to add addresses to our mailing lists.
- Images of persons might be collected during documentation of an LA performance.
- If you become a LA Associate, Volunteer or Board Member.
LA may also collect personal information over the phone, in person or by electronic correspondence in order to undertake its regular administrative operations.
WHY PERSONAL INFORMATION IS COLLECTED
LA collects personal information in order to service the needs of its staff, audience and partnerships. This information is only used with your consent. Your personal information may be retained and used for the following purposes:
- For communicating about upcoming programs and services offered by LA and its partners.
- For documenting LA performances and events.
- To make recommendations to web-site visitors about other services that LA offers that may be of interest.
- To communicate to LA audiences on behalf of other arts or government organisations offering information regarding their products.
- To communicate with staff, artists, associates, volunteers, or Board Members.
- Notifying changes of program details.
- To market upcoming events.
- For market research purposes.
- To market online services.
All details are kept secure at all times and any individual may request their information is not used for direct marketing, research or any other purpose.
DISCLOSURE OF PERSONAL INFORMATION
LA will not sell, lend, disclose, or give personal information of its audience or clientele to external individuals or organisations without first obtaining the customer’s consent.
LA may, however, disclose your personal information or financial data (information exchanged in transactions relating to donations, ticket purchasing or any other product sold):
- To our insurer or legal advisors for the purpose of obtaining insurance coverage, obtaining professional advice, and managing risks.
- To our payment services providers or financial institutions. LA will share transaction data only to the extent necessary for processing, refunding, or dealing with queries about payments.
- In a situation where such disclosure is necessary for compliance with a legal obligation that LA is subject to, or in order to protect the vital interests of a person.
LA will not disclosure personal information to recipients in another jurisdiction unless that jurisdiction has a privacy regime at least as equally protective as Australia. LA will always ask for specific consent before disclosing personal information to a recipient in another jurisdiction.
PERSONAL INFORMATION ACCURACY
LA is committed to ensuring all personal information it collects is accurate, complete and up-to-date. However, the accuracy of this personal information to a large extent depends on the information provided by its clients. LA asks that all clients:
- Advise us if you become aware of any errors in your personal information.
- Advise of any changes in their personal details, such as address, email address and phone number.
At any time, any person has the right:
- To know what personal information LA holds about them and how it has been used.
- To correct or alter any personal information LA holds about them.
- To have the personal information about them erased.
- To withdraw consent for the collection, retention, disclosure, use or processing of personal information.
- To make a request or inquiry, write to email@example.com
The LA website contains links to other sites. LA is not responsible for the privacy practices of other sites. LA encourages users when they leave the site to read the privacy statements of each and every web site that collects personal information. This privacy statement applies solely to the activities of LA.
OUR DATA SECURITY POLICY
LA takes steps to prevent the personal information it holds from misuse, loss, interference or unauthorised access. Personal information is never stored in cloud servers.
LA will also destroy or de-identify personal information when it is no longer needed, or when requested.
The Instrument Builders Project Kyoto: Circulating Echo
Nakagyo-ku, Kyoto 604-8156
Instrument Builders Project is a forum for experimental work – at the intersection of contemporary art, sound, music, and performance – engaging artists from Australia and the Asia-Pacific. Each IBP culminates in new and experimental works in the form of ‘instruments’.
Instrument Builders Project Kyoto: Circulating Echo is the first iteration of the project to be organised in Kyoto, Japan. Over three weeks, artists with diverse practices and cultural backgrounds from Indonesia, Australia, and Japan will create musical instruments while sharing the processes of making these devices. In 2018, participating artists include Masamitsu Araki, Misbach Daeng Bilok, Caitlin Franzmann, Tomoko Momiyama, Wukir Suryadi, Natasha Tontey and Yuya Tsukahara with practices spanning design, sonic art, and community-based music activities, all of which are avant-garde in nature yet also refer to a range of distinctive cultural traditions.
Building instruments together creates a platform for experimentation and intersections of diverse ideas. How are sound and musical instruments created? And how do these instruments reflect the ideas and perspectives of those who make them and play them, as well as those who listen and experience them?
Visitors are invited to witness these collaborations where experimentation and inspiration is transformed into inventive musical devices. The studio space where the artists share and test out their ideas will be open to the public, with a public program including a work-shop, talk, and a musical performance of these newly created instruments. The sounds created in this project ranging across the oceans from Indonesia and Australia to Japan will form circulating echoes that resonate here in Kyoto. Full program and live documentation via theinstrumentbuildersproject.com
The Instrument Builders Projectは、インドネシアとオーストラリアのアーティストによる、音や楽器に焦点をあてたコラボレーションプロジェクトとして、2013年からこれまで3回にわたり開催されてきたプロジェクトです。今回は、初めて日本・京都での開催。The Instrument Builders Project Kyoto – Circulating Echo-（ザ・インストゥルメント・ビルダーズ・プロジェクト・キョウト－循環するエコー－） と題し、インドネシア、オーストラリア、日本からアーティストを迎えます。アーティストとしての活動も、文化的バックグラウンドもさまざまなアーティストが、3週間にわたるプロジェクト期間の中で、「楽器を創作する」プロセスを共有しながら、新たな楽器創りに挑戦します。
Public Program パブリックプログラム
Tue, 4. – Sun,16. Sep 2018
The instrument-making process is open to the public. Visitors can observe the artists working collaboratively in the studio space.
Wed, 12. – Mon, 17. Sep 2018
Examples of the instruments created in Kyoto and at previous IBP iterations will be exhibited throughout the Kyoto Art Centre.
Sat, 15. Sep 2018
Caitlin Franzmann + Misbach Daeng Bilok + Tomoko Momiyama
September 15, 2018
Visitors are invited to join the artists in experimenting with different approaches to playing the new instruments, discovering new sounds and techniques.
Sat, 15. Sep 2018
Masamitsu Araki + Natasha Tontey + Yuya Tsukahara + Wukir Suryadi
Sun, 16. – Mon 17. Sept 2018
Artists will stage a performance with their collaboratively made instruments. Visitors are invited to experience the unique sounds of these one-of-a-kind musical devices. Kazuhisa Uchihashi will perform as a special guest among others alongside Instrument Builders Project artists.
INSTRUMENT BUILDERS PROJECTS est. 2013
Instrument Builders Project was initiated in 2013 by Kristi Monfries (Volcanic Winds) and Joel Stern (OtherFilm, Liquid Architecture) and held three times since with artists from Indonesia and Australia. The project is a collaborative endeavour that focuses on sound and musical instruments. For IBP, artists invent, build, present and perform using invented ‘instruments’ that mix traditional and contemporary forms including sound sculpture, installation, improvisation and performance. IBP centres on a shared residency model, with an accessible open studio / workshop, plus talks and performances punctuated by periods of creative free time.
IBP1 at iCAN, Yogyakarta 
Rod Cooper, Dylan Martorell, Pia Van Gelder and Michael Candy (Australia)
Wukir Suryadi, Asep Nata, Ardi Gunawan and Andreas Siagian (Indonesia)
IBP2 at iCAN, Yogyakarta 
Jompet Kuswidananto, Wukir Suryadi, Bagus Pandega and Mas Bowo (Indonesia)
Dale Gorfinkel, Tintin Wulia, Peter Blamey and Caitlin Franzmann (Australia)
IBP3 at National Gallery of Victoria, Melbourne 
Lintang Radittya, Andreas Siagian, Wukir Suryadi, Tintin Wulia (Indonesia)
Peter Blamey, Michael Candy, Caitlin Franzmann, Pia Van Gelder, Dale Gorfinkel, Dylan Martorell (Australia)
In 2015 a commemorative publication was produced, with support from the Australia Indonesia Institute, with commissioned essays and artist pages covering the highlights of the program.
In 2018, IBP will be hosted by Kyoto Art Centre a an open studio with 9 artists (Australia, Indonesia, Japan) occupying KAC studios for 3 weeks – researching, experimenting, conceptualising, building through multiple collaborations and micro-projects. The program includes fieldwork, workshops, concerts, talks and exhibitions throughout the residency period.
The creative outcomes for Instrument Builders Project Japan at Kyoto Art Centre are manifold and consolidate the artistic merit of each methodology: in an exhibition context as sound installation works; in a performance context as unique sonic / musical works and compositions for newly invented instruments; and in a production context as they creation of new ‘sonic objects’ that may be incorporated into other works in the future. Full documentation from past Instrument Builders Project iterations via theinstrumentbuildersproject.com
Top: Artists working at IBP3 at National Gallery of Victoria, 2014
Bottom: MOS (Mountain Operated Synth), produced for the IBP by Michael Candy, Pia van Gelder and Andreas Siagian, 2014
Supported by the Agency of Cultural Affairs Government of Japan in the fiscal 2018, the Japan Foundation Asia Center Grant Program for Promotion of Cultural Collaboration, and the Kakehashi Foundation