Liquid Architecture

Investigations: Eavesdropping Machine Listening Polythinking Ritual Community Music Why Listen?
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Active since 2000, Liquid Architecture is a Naarm (Melbourne) based organisation supporting experimental, interdisciplinary and critical work addressing sound and listening in context.

Our program stages encounters and creates spaces for sonic experience, and critical reflection on sonority and systems of sonic affect. To do this, we host experiences at the intersection of contemporary art and experimental music, supporting artists to produce performances and concerts, exhibitions, talks, reading groups, workshops and recordings in art spaces, music venues and other sites.

Liquid Architecture is curatorially driven and our methodology embraces research, collaborations and imaginations. We want to echo beyond local conversations, problems, debates and questions, to reverberate across media and disciplines, and so to sound out new discourses about the audible world, and beyond.

We acknowledge the traditional owners and sovereign custodians of the land on which we are situated, the peoples of the Woiwurrung and Boonwurrung language groups. We extend our respect to their Ancestors and all First Peoples and Elders past, present, and future.


Team

BOARD

Andy Miller (Interim Chair)
Naomi Velaphi (Vice Chair)
Mark Nolen (Treasurer)
Leana Papaelia (Secretary)
Monica Lim
Jennifer Barry
David Chesworth
Michael Graeve
(recent alumni) Hannah Fox
(recent alumni) Kristen Smith
(recent alumni) Bebe Backhouse

STAFF

Georgia Hutchison (Executive Direction, CEO)
Joel Stern (Artistic Direction)
Debris Facility (Education)
Alisa Blakeney (Program)
Liang Luscombe (Publishing and Communication)

ASSOCIATES

Danni Zuvela
Mathew Spisbah
Autumn Royal
Nathan Gray
Anabelle Lacroix
James Parker
Sean Dockray
Laura McLean
Mehak Sawney
Xen Nhà
Lana Nguyen

TECHNICAL

Mara Schwerdtfeger
Atong Atem
Jacinta Keefe
Jon Tjhia
Audrey Lam
Bridget Chappell
Keelan O’Hehir
Paul Mylecharane
Matt Lenz
Jacqui Shelton
Lauren Squire


Contact

We welcome conversation, ideas and feedback at any time.

info@liquidarchitecture.org.au
TW, FB, IG, YT, MX, SC
Journal, Podcast

104/35 Johnston Street
Collingwood VIC 3066
AUSTRALIA

LIQUID ARCHITECTURE
SOUND INC
ABN 73128090237
ASN A0050679K

Privacy Statement

Privacy Statement

Liquid Architecture (LA) is committed to protecting the privacy and security of personal information obtained and stored about its audience or clientele, including users of this website.

We understand and appreciate that our audience or clientele and users of this website are concerned about their privacy and the confidentiality and security of any information that may be provided to us.

This policy applies when Liquid Architecture determines what information will be collected or disclosed, or how any information will be processed.

We take a broad understanding of what constitutes ‘personal information’. We understand ‘personal information’ to include any information relating to an identified or identifiable natural person. An identifiable natural person is one who can be identified, directly or indirectly, in particular by reference to an identifier such as a name, an identification number, location data, an online identifier or to one or more factors specific to the physical, physiological, genetic, mental, economic, cultural or social identity of that natural person.

Liquid Architecture is bound by the Australian Privacy Principles contained in the Commonwealth Privacy Act and is compliant with the Privacy Amendment (Enhancing Privacy Protection) Act 2012.

We may, from time to time, review and update this Privacy Policy to take account of new laws and technology, changes to Liquid Architecture’s operations and practices and to make sure it remains appropriate to the changing legal environment.

THE TYPES OF PERSONAL INFORMATION LA COLLECTS

The type of information Liquid Architecture collects and holds includes (but is not limited to) personal information, including sensitive information, about:

  • Contact information including email address, phone number, names, gender, organisation, role.
  • Connection information including linkages and referrals between people.
  • Financial information including amounts paid to LA, donated to LA, or received by LA.
  • When you visit our website, our server maintains an access log that includes the following information: the visitor’s IP address, the date and time of the visit to the site, the pages accessed and documents downloaded, the previous site visited, and the type of browser used.
  • When you visit our website, cookies are stored on your device that provides information to Google Analytics to give us statistical information about our visitors.

HOW PERSONAL INFORMATION IS COLLECTED
LA collects personal information in a variety of different ways depending on the type of contact that is made with the organisation. We collect personal information both from individuals directly and from third parties.

  • Subscribing to LA’s newsletter via the website, in-person or other means
  • Visiting LA’s website
  • Registering for LA’s programs of events (eg. performances, workshops, lectures)
  • Purchasing a ticket for LA’s programs of events via a ticketing system
  • Making an online enquiry
  • Making an individual donation to LA
  • Becoming a sponsor
  • Submitting a proposal to LA
  • Providing written feedback to LA
  • Through agreements with programming partners to add addresses to our mailing lists
  • Images of persons might be collected during documentation of an LA performance
  • If you become a LA Associate, Volunteer or Board Member
    LA may also collect personal information over the phone, in person or by electronic correspondence in order to undertake its regular administrative operations

WHY PERSONAL INFORMATION IS COLLECTED
LA collects personal information in order to service the needs of its staff, audience and partnerships. This information is only used with your consent. Your personal information may be retained and used for the following purposes:

  • To communicate with staff, artists, associates, volunteers, or Board Members
  • For communicating about upcoming programs and services offered by LA and its partners
  • For documenting LA performances and events
  • To communicate to LA audiences on behalf of other arts or government organisations offering information regarding their products
  • For artistic program research and organisational continuous improvement purposes
    All details are kept secure at all times and any individual may request their information is not used for direct marketing, research or any other purpose.

DISCLOSURE OF PERSONAL INFORMATION
LA will not sell, lend, disclose, or give personal information of its audience or clientele to external individuals or organisations without first obtaining the customer’s consent.
LA may, however, disclose your personal information or financial data (information exchanged in transactions relating to donations, ticket purchasing or any other product sold):

  • To our insurer or legal advisors for the purpose of obtaining insurance coverage, obtaining professional advice, and managing risks.
  • To our payment services providers or financial institutions. LA will share transaction data only to the extent necessary for processing, refunding, or dealing with queries about payments.
  • In a situation where such disclosure is necessary for compliance with a legal obligation that LA is subject to, or in order to protect the vital interests of a person.
    LA will not disclosure personal information to recipients in another jurisdiction unless that jurisdiction has a privacy regime at least as equally protective as Australia. LA will always ask for specific consent before disclosing personal information to a recipient in another jurisdiction.

PERSONAL INFORMATION ACCURACY
LA is committed to ensuring all personal information it collects is accurate, complete and up-to-date. However, the accuracy of this personal information to a large extent depends on the information provided by its clients. LA asks that all clients:

  • Advise us if you become aware of any errors in your personal information.
  • Advise of any changes in their personal details, such as address, email address and phone number.

YOUR RIGHTS
At any time, any person has the right:

  • To know what personal information LA holds about them and how it has been used
  • To correct or alter any personal information LA holds about them
  • To have the personal information about them erased
  • To withdraw consent for the collection, retention, disclosure, use or processing of personal information
  • To make a request or inquiry, write to info@liquidarchitecture.org.au

WEBSITE
The LA website contains links to other sites. LA is not responsible for the privacy practices of other sites. LA encourages users when they leave the site to read the privacy statements of each and every web site that collects personal information. This privacy statement applies solely to the activities of LA.

GENERAL DATA PROTECTION REGULATION (GDPR)
LA operates occasional European artistic programming and partnerships, and complies with the data protection policies required by the European Union General Data Protection Regulation (the GDPR) since 25 May 2018.

OUR DATA SECURITY POLICY
LA takes steps to prevent the personal information it holds from misuse, loss, interference or unauthorised access.
LA will also destroy or de-identify personal information when it is no longer needed, or when requested.

ENQUIRIES
If you would like further information about the way Liquid Architecture manages the personal information it holds, please contact LA via info@liquidarchitecture.org.au.

Feedback & Complaints

Feedback & Complaints

Liquid Architecture (LA) is committed to respecting feedback and complaints and continually improving our processes. This policy is intended to ensure that we handle complaints fairly, efficiently and effectively. We encourage feedback as part of improving our audience experience and artistic programming.

You can provide feedback or make a complaint via email via email to info@liquidarchitecture.org.au.

HOW DOES LA HANDLE FEEDBACK AND COMPLAINTS?
Upon receiving feedback or a complaint, LA will acknowledge receipt of the feedback or complaint; and request further information if necessary and advise how the issue is likely to be resolved.
LA will not respond to feedback or complaints that violate State or Federal laws, or suggest that others do so; contain profane, violent, abusive, sexually explicit language or hate speech; or are bullying, harassing or disruptive in nature.
Where possible, complaints will be resolved at first contact with us. When appropriate we may offer an explanation or apology to the person making the complaint. Where this is not possible, we may decide to escalate the complaint to LA’s CEOs or Board. Where a person making a complaint is dissatisfied with the outcome of our review of their complaint, they may seek an external review of our decision.
We will take all reasonable steps to ensure that people making complaints are not adversely affected because a complaint has been made by them or on their behalf.
All complaints are confidential. We accept anonymous complaints if there is a compelling reason to do so and will carry out a confidential investigation of the issues raised where there is enough information provided.

HOW LONG WILL IT TAKE FOR MY COMPLAINT TO BE RESOLVED?
The time it takes to resolve a matter depends on the issues raised and any enquiries that need to be made. As a guide, LA aims to acknowledge written feedback and complaints within 1 business day of receipt (if an email address or phone number is provided); respond to all written feedback and complaints within 5 business days of receipt.

LA will consider the matter closed if you indicate that you are satisfied with the response, or LA does not hear from you within 10 business days after sending you its response.

WHAT IF I’M NOT HAPPY WITH THE RESPONSE?
If you are dissatisfied with LA’s response you are encouraged to contact LA to request an internal review. You should outline in writing why you are dissatisfied with the response; and the outcome you are seeking. LA will provide a further response within 10 business days of receiving this information.

If you are dissatisfied with the outcome of our review of their complaint, you may seek an external review of our decision (by the Australian Charities and Not-for-Profits Commission for example).
Australian Charities and
Not-for-Profits Commission
Advice team: 13 22 62
Online Form

TICKET REFUNDS AND EXCHANGES
LA may provide an exchange or refund of a ticket if problems arise before, during or after an event. LA encourages our audience to try to resolve problems as soon as possible after they arise so that we have the best opportunity to find a solution.

Events

Eavesdropping

Tue, 24. Jul–Sun, 28. Oct 2018
The Ian Potter Museum of Art
Artists

Manus Recording Project Collective: Farhad Bandesh, Farhad Rahmati, Samad Abdul, Shamin­dan Kana­p­athi, Thanush Selvraj, Yasin Abdallah, Abdul Aziz Muhamat, Behrouz Boochani, Kazem Kazemi, Michael Green, André Dao, Jon Tjhia

LISTEN TO THE MANUS RECORDING PROJECT COLLECTIVE

HOW ARE YOU TODAY

Since 2013, nearly two thou­sand men have been indef­i­nitely detained on Manus Island, PNG, by the Aus­tralian Gov­ern­ment – after arriv­ing in this coun­try seek­ing asylum. When the Manus Regional Pro­cess­ing Centre was for­mally closed on 31 Octo­ber 2017, after the Papua New Guinea Supreme Court declared it uncon­sti­tu­tional, the men still detained there were ordered to relo­cate to new, smaller deten­tion cen­ters in Loren­gau, the major town on Manus. The author­i­ties elim­i­nated pro­vi­sions and removed the diesel gen­er­a­tors pow­er­ing the facil­ity, but the men refused to leave: the cul­mi­na­tion of years of organ­ised resis­tance against their invol­un­tary and indef­i­nite deten­tion. Even­tu­ally, they were force­fully evicted.

Since 24 July 2018, six men – Farhad Bandesh, Behrouz Boochani, Samad Abdul, Shamindan Kanapathi, Kazem Kazemi and Abdul Aziz Muhamat – have been sending daily ten minute audio recordings to The Ian Potter Museum of Art from Manus Island, where they have been detained by the Australian government for the last five years. The recordings are then played back in the gallery throughout the day. This continued until 28 October 2018 at the end of which 14 hours of sound was produced, in effect, an archive of what it sounds like to live in limbo.

how are you today opens a chan­nel for a form of speech at a moment when words seem to have been exhausted. It is at once an extremely inti­mate work – a rare oppor­tu­nity to listen to these men lis­ten­ing, only very recently, some four thou­sand kilo­me­tres away – and a highly polit­i­cal one. It intro­duces the Manus sound­scape to the gallery not just for the sake of the sounds-in-them­selves, not just as a matter of curios­ity (though the work will surely pro­duce an archive of real his­tor­i­cal value), but in a way that directly impli­cates the lis­tener and demands that we attend to the politico-legal con­texts that pro­duce and frame them.

WHERE ARE YOU TODAY

Every day for a month, beginning on 1 August, you’ll receive a text message with a new ten-minute audio recording from Farhad Bandesh, Farhad Rahmati, Samad Abdul, Shamindan Kanapathi, Thanush Selvraj or Yasin Abdallah.

Subscribe by texting ‘Hello’ to +61 488 845 951

These men, seeking asylum by boat, were forcibly transferred to Manus Island by the Australian government nearly seven years ago. Now, they are held in hotels or detention centres in Port Moresby, Melbourne or Brisbane.

‘For this recording, of course, there will be people who find it boring, and they won’t want to listen. But there are many people here, who just sit down and try to understand. They close their eyes, just to imagine the people in Manus, and try to make a connection with the men, in Manus. And that’s why I think this work is very interesting … it takes the audience inside the prison camp, just to live with them for a while. To witness their lives. Another thing really that is very important, is that this system treats us in a way where we do not exist. But we do exist. Sometimes we exist in Australia, through these artworks, you know. That part is very surreal. That is the important thing about this work. That it allows us to say: here we are.’

Behrouz Boochani, in conversation
with André Dao about how are you today,
3 December 2019.

[8:36 pm, 16/11/2019] Michael Green:
How are things in the hotel?
[7:01 pm, 17/11/2019] Yasin Abdallah:
Still waiting …

How does this work?

As a subscriber of where are you today, you’ll receive a daily text message containing a link to each day’s ten-minute recording. The site will display some additional information: the number of kilometres between you and the person who made the recording, and the number of minutes, hours, or days that have elapsed since the recording* was made.

BIOGRAPHIES

FARHAD BANDESH is a 38-year-old Kurdish musician, painter and poet who was detained on Manus Island for six years, and now for more than a year in the Mantra Hotel and Melbourne Immigration Transit Accommodation (MITA). Before seeking asylum, he worked as a guitar maker. He has no formal art training; whilst in detention, he has produced solo and collaborative works of music, art and writing. He loves nature and is a keen gardener; his sisters now look after his plants.

FARHAD RAHMATI is 42 years old. He is a civil engineer from Khorramabad City in Iran. He was forcibly sent to Manus Island in 2013 and then evacuated to Australia in 2019 to be treated for a heart condition he developed in PNG. He was held at Kangaroo Point Central Hotel for eight months, where, from his balcony, he watched people walking their dogs on the outside. In June, he was moved to Brisbane Immigration Transit Accommodation (BITA).

SAMAD ABDUL was detained in an Aus­tralian run off­shore deten­tion centre on Manus for five years. For the last two years he has been in Port Moresby, where he is still not free. He loves cricket and his only dream was to be a pro­fes­sional crick­eter but politi­cians have taken his dream and used him as a polit­i­cal pris­oner. Although his seven years will not come back, he now wants to be a social worker to help those who are in pain.

SHAMIN­DAN KANA­P­ATHI is a Sri Lankan Tamil refugee. In Sri Lanka he was a mar­ket­ing exec­u­tive and a stu­dent. He was detained on Manus Island for six years and is now held in Port Moresby.

THANUSH SELVRAJ is a 32-year-old Sri Lankan Tamil refugee who fled persecution. In Sri Lanka he was a painter, artist, hairdresser, phone and computer repairer, photo and video editor and a student. He was detained on Manus Island before being transferred to Port Moresby hotel detention. From PNG he was transferred to the Mantra Hotel in Preston, Melbourne. He is currently being held in MITA with no hope of his freedom.

YASIN ABDALLAH is a 24-year-old man from Darfur, Sudan, from the Zaghawa ethnicity. He arrived in Australia by boat in 2013 and was taken to Manus Island. He has been detained in Mantra Hotel in Preston, Melbourne, for one year. When he was a teenager in Sudan, he used to fix cars with his uncle. He wants to be a mechanical engineer.

ANDRÉ DAO is a writer of fic­tion and non-fic­tion. He is the co-founder of Behind the Wire, an oral his­tory project doc­u­ment­ing people’s expe­ri­ence of immi­gra­tion deten­tion.

JON TJHIA is a radio-maker, artist and writer. As the Wheeler Centre’s senior dig­i­tal editor, he col­lab­o­ra­ted with Behind the Wire to pro­duce The Mes­sen­ger. He’s a co-founder of Paper Radio and the Aus­tralian Audio Guide.

MICHAEL GREEN is a writer, radio-maker and pro­ducer. He was the host of The Mes­sen­ger pod­cast, which won the 2017 Walk­ley Award for Radio/​Audio fea­ture. He trav­elled to Manus Island twice.

Two members of the Manus Recording Project Collective, who made recordings for how are you today (2018), are no longer detained by the Australian government. ABDUL AZIZ MUHAMAT is now in Geneva, where he was granted asylum by the Swiss Government. BEHROUZ BOOCHANI is now in Christchurch, New Zealand. A third member of the collective, KAZEM KAZEMI, is still being detained at Kangaroo Point Central Hotel in Brisbane. Kazem decided not to make recordings for where are you today.

Archive

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