Liquid Architecture

Investigations: Eavesdropping Polythinking Ritual Community Music Why Listen?
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WHY LISTEN TO PLANTS?
Plants know worlds, they contain worlds and they make worlds

Liquid Architecture x RMIT Design Hub
Thu, 22. Nov–Sat, 08. Dec 2018
Exhibition, performances, talks, workshops, readings

RSVP for the reading group: texts, speakers, and co-ordinates to be announced.

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Liquid Architecture is an Australian organisation for artists working with sound. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.

Our program stages encounters and creates spaces for sonic experience, and critical reflection on sonority and systems of sonic affect. To do this, we host experiences at the intersection of contemporary art and experimental music, supporting artists to produce performances and concerts, exhibitions, talks, reading groups, workshops and recordings in art spaces, music venues and other sites.

Liquid Architecture is curatorially driven and our methodology embraces research, collaborations and imaginations. We want to echo beyond local conversations, problems, debates and questions, to reverberate across media and disciplines, and so to sound out new discourses about the audible world, and beyond.

We acknowledge Aboriginal and Torres Strait Islander people as the first sovereign owners of this unceded country. We pay our respects to their Elders, past, present and becoming.

staff

Joel Stern
CEO / Artistic Director Joel Stern is a curator, researcher, and sound artist, concerned with theories and practices of sound and listening. He is the Artistic Co-Director of Liquid Architecture, a leading Australian organisation that stages encounters and creates spaces for sonic experience and critical reflection on systems of sonic affect, at the intersection of contemporary art and experimental music. Stern is part of OtherFilm, an artist collective driven by a central curiosity about the limits of the moving image. He has initiated the experimental residency Instrument Builders Project in 2013. Stern is a PhD candidate in Curatorial Practice at Monash Art, Design and Architecture, where he teaches Sound (in the Space of Art).
Danni Zuvela
CEO / Artistic Director With Joel Stern, Danni is Artistic Director/CEO of Liquid Architecture. Since 2004, Danni has co-directed the artists’ collective OtherFilm (co-founded with Joel Stern [Melbourne] and Sally Golding [London]). In 2013 she joined forces with the Gold Coast-based artist-run gallery The Walls, where worked as the Secretary, Curator and Deputy until 2018. At The Walls, she led programming and strategic initiatives, and she continues to generate socially-engaged experimental projects on the Gold Coast. Danni has an academic background, with a research PhD on experimental film and art history, teaching extensively into her field, and publishing critical writing across a range of publications. Danni’s research informs her curatorial work with interests in feminism, activism, ecology, language and performance.
Georgia Hutchison
General Manager Georgia works across creative disciplines with communities, businesses, cultural institutions and policy-makers. Her education and experience spans arts management; industrial design with a social, sustainable and systemic approach; curatorial and cultural leadership. For the last fifteen years she has worked between universities, studio and non-profit environments—most recently researching artist run economies with All Conference; and communicating the built environment with U-P. As an artist Georgia performs and photographs encounters with material scenarios and social currencies.
Debris Facility
Administrator Debris is a speculative corporate entity working from one human body. The Facility entered into partnership with Liquid Architecture to oversee Administration in 2018 onwards. Participation in events organising alongside practice lead research and exhibition productions pushes Administration into an performative medium. Maintaining an active exhibition profile alongside residencies, teaching, collaborations and contracts, the Facility works to amplify it’s reach through the oscillation of signal to noise ratio’s of im/material contexts of exhibition production, media, performance,wearables, installation and interventions.

board

Jennifer Barry
CHAIR JENNIFER BARRY has over 25 years’ experience leading arts organisations, managing creative projects, consulting, producing the work of artists nationally and internationally, and curating public programs. Previous positions include: Manager of Public Programs at Federation Square, Executive Director of Shunpike (Seattle), Director/CEO of Footscray Community Arts Centre, Founder/Director of Keep Breathing, and Executive Producer/Co-CEO of Chunky Move, among others. As a consultant, Jennifer’s clients have included the Australia Council for the Arts, Arts Victoria, the City of Melbourne, the Australian Art Orchestra, and the Australian Network for Art and Technology, among others. She has served on numerous boards and industry panels and is currently Project Director for the Royal Children’s Hospital 150th Anniversary.
David Chesworth
MEMBER DAVID CHESWORTH is an artist and composer, known for his experimental, and at times minimalist music, who has worked with electronics, contemporary ensembles, film, theatre and experimental opera. Together with Sonia Leber, Chesworth has created installation artworks using sound, video, architecture and public participation. Exhibitions include ‘56th Venice Biennale (2015), ‘19th Biennale of Sydney (2014), ‘Melbourne Now’, National Gallery of Victoria, Melbourne (2013-14). Festivals featuring Chesworth’s music and sound works include Ars Electronica, Festival D’Automne de Paris, Bang on a Can Marathon, New York, Sydney Biennale, Adelaide and Melbourne Festivals and MONA FOMA. Early in his career he was co-founder of post-punk band Essendon Airport and for five years was coordinator of the Clifton Hill Community Music Centre in Melbourne. David Chesworth joined the Liquid Architecture Board in 2015. David teaches Sound (in the space of Art) at Monash Art, Design and Architecture, where he recently completed his doctorate researching sonic framing and temporality with artwork experiences.
Dr Michael Graeve
VICE CHAIR DR. MICHAEL GRAEVE is a sound and visual artist and educator. Michael joined the Liquid Architecture board 10 years ago at the time of incorporation in 2007 and was President and Chair from 2011-2017. Michael has been committed to artist-run culture, developing small arts organisation expertise first as a founding committee member of Grey Area Art Space Inc (1996 -1999) and then as board member and program manager at West Space Inc (2000 – 2004). He exhibits, performs, curates and teaches internationally and teaches in the Sound, Sculpture and Spatial Practice Department, Expanded Studio Practice, Honours and the MFA Program at RMIT University, and has previously taught at The School of the Art Institute of Chicago, Monash University, The Victorian College of the Arts and Victoria University.
Andy Miller
MEMBER ANDY MILLER currently works as the General Manager of Multicultural Arts Victoria. Initially trained as a painter at the Canberra School of Art, Andy Miller worked in theatre for a number of years before working to establish arts programs in the community sector. Following a few years as an arts and cultural officer at two local governments, Andy began a career in the state public service in various senior roles at Arts Victoria and Creative Victoria and was seconded for a period with Creative Partnerships Australia, as Senior Programs Manager. As well as a Bachelor in Fine Arts, he has a Masters in Public Policy and a Graduate Diploma in Arts Management from the University of Melbourne.
Phip Murray
MEMBER PHIP MURRAY is an independent writer and curator, and a part-time academic in the School of Architecture and Design at RMIT where she lectures in the history/theory of art, design and architecture. Phip was Director of West Space from 2008–2012 and, prior to that, an Associate Producer for the Next Wave Festival. Phip has a particular interest in interdisciplinary art practice, and has curated projects such as Time Has Come Today, a program exploring sound, moving image and performance projects (West Space, 2012) and Tyger, Tyger, a new commissions series including projects by Philip Brophy, Constanze Zikos, David Chesworth, and Juan Davila (West Space, 2011-2012).
Mark Nolen
TREASURER MARK NOLEN is a Certified Practising Accountant with extensive experience in the creative industries sector. He is currently Management Accountant at the Australian Centre of the Moving Image, having previously worked in a similar role at Film Victoria. Along the way he has helped countless singers, actors and even clowns get their taxes in order – no laughing matter! When not crunching numbers, you can find Mark sitting back with a fine drop of Scottish Whisky soaking up some even finer tunes.
Kristen Smith
MEMBER KRISTEN SMITH is a legal practitioner with over a decade of experience focused on large scale commercial litigation and class actions. She currently works as an Investment Manager for international litigation financier, IMF Bentham, having previously worked for Slater and Gordon in their Commercial and Project Litigation team. She has also worked at Dundas & Wilson (now CMS) in Scotland and as an Associate to the Supreme Court of Victoria’s Associate Justice Efthim. In 2004, she was awarded the Victoria Law Foundation Chief Justice’s Medal for Excellence and Community Service. She has previously served on the boards of the Australian Communities Foundation and the EastWeb foundation and is currently a member of the M.E.S.S advisory board.

technical

Charlie Freedman
VIDEOGRAPHER
Keelan O’Hehir
PHOTOGRAPHER
Benjamin Portas
MOTION DESIGNER
Jacqui Shelton
PHOTOGRAPHER
Lauren Squire
SOUND ENGINEER
Josh Watson
VIDEOGRAPHER
Public Office
GRAPHIC DESIGN and DEVELOPMENT

comrade

Elena Betros
Clare Cooper
Asher Elazary
Nathan Gray
Jason Heller
Anabelle Lacroix
Paris Lettau
Sarah Mccauley
Dr James Parker
Mino Peric
Anatol Pitt
Jessica Row
Emily Siddons
Sezzo Snot
Beth Sometimes
Mathew Spisbah
Cara Stewart
Darcy Wedd
Makeda Zucco
Ece Yavuz

Contact

info@liquidarchitecture.org.au
FB, IG, YT, SC

PO Box 12315
Melbourne
VIC 8006
AUSTRALIA

LIQUID ARCHITECTURE SOUND INC
ABN 73128090237
ASN A0050679K

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Events
Eavesdropping
Tue, 24. Jul–Sun, 28. Oct 2018
The Ian Potter Museum of Art
Artists

Manus Recording Project Collective; Michael Green, André Dao, Jon Tjhia, Abdul Aziz Muhamat, Farhad Bandesh, Behrouz Boochani, Samad Abdul, Shamindan Kanapathi and Kazem Kazemi

"Speaking on a smuggled phone from inside the Australian-run immigration detention centre on Manus Island, Papua New Guinea, Abdul Aziz Muhamat related an anecdote about his day. He'd been standing near the gate when a security guard had called someone's name three or four times. The man was standing nearby but he didn't reply. Aziz told the guard to call his ID number instead – the man responded immediately. 'Look, man, no one is pretending here. Why should he pretend?' Aziz told the guard. 'We forgot our names.'"
They Cannot Take the Sky: Stories from Detention (2017)



how are you today

Since 2013, nearly two thousand men have been indefinitely detained on Manus Island, PNG, by the Australian Government – after arriving in this country seeking asylum. When the Manus Regional Processing Centre was formally closed on 31 October 2017, after the Papua New Guinea Supreme Court declared it unconstitutional, the men still detained there were ordered to relocate to new, smaller detention centers in Lorengau, the major town on Manus. The authorities eliminated provisions and removed the diesel generators powering the facility, but the men refused to leave: the culmination of years of organised resistance against their involuntary and indefinite detention. Eventually, they were forcefully evicted.

The work commissioned for Eavesdropping is a collaboration between some of these men – Farhad Bandesh, Behrouz Boochani, Samad Abdul, Shamindan Kanapathi, Kazem Kazemi and Abdul Aziz Muhamat on Manus – and Michael Green, André Dao and Jon Tjhia in Melbourne. Every day for the duration of the exhibition, one of the men on Manus will make a sound recording – of anything they like or nothing much at all – and send it ‘onshore’ for swift upload to the gallery. No doubt the vagaries of weather, blackouts and technology, along with changing personal, political and legal contexts, will intervene along the way.

how are you today opens a channel for a form of speech at a moment when words seem to have been exhausted. It is at once an extremely intimate work – a rare opportunity to listen to these men listening, only very recently, some four thousand kilometres away – and a highly political one. It introduces the Manus soundscape to the gallery not just for the sake of the sounds-in-themselves, not just as a matter of curiosity (though the work will surely produce an archive of real historical value), but in a way that directly implicates the listener and demands that we attend to the politico-legal contexts that produce and frame them.

View the list of recordings, updated daily

Abdul Aziz Muhamat is a 25-year-old man from Darfur, Sudan. He is from the Zaghawa ethnicity, and with his family, he fled his village to a refugee camp. He arrived in Australia by boat in 2013 and was taken to Manus Island, where he remains. He has become one of the primary public voices among the men there, including through the multi-award winning podcast, The Messenger.

Farhad Bandesh is a 36-year-old Kurdish musician, painter and poet who has been detained on Manus Island for over five years. Before seeking asylum, he worked as a guitar maker, and has no formal art training. Whilst in detention, he has produced solo and collaborative works of music, art and writing. He loves nature and is a keen gardener; his sisters now look after his plants.

Behrouz Boochani is a Kurdish-Iranian writer, journalist, scholar, cultural advocate and filmmaker. He was writer for the Kurdish language magazine Werya. He writes regularly for The Guardian and several other publications. Boochani is also co-director (with Arash Kamali Sarvestani) of the 2017 feature-length film Chauka, Please Tell Us the Time, and author of No Friend but the Mountains: Writing from Manus Prison. He has been held on Manus Island since 2013.

Kazem Kazemi is a 36-year-old Kurdish musician, heavy metal and rock songwriter and poet. Before seeking asylum in Australia, he lived in Khorramshahr, Iran, and worked as an electrician.

Shamindan Kanapathi is a Sri Lankan Tamil refugee. In Sri Lanka he was a marketing executive and a student.

Samad Abdul has been detained in an Australian run offshore detention centre on Manus for the last five years. He loves cricket and his only dream was to be a professional cricketer but politicians have taken his dream and used him as a political prisoner. Although his five years will not come back, he now wants to be a social worker to help those who are in pain.

Michael Green is a writer, radio-maker and producer. He is the host of The Messenger podcast and his work has won many national and international awards, including the 2017 Walkley Award for Radio/Audio feature. He has travelled to Manus Island twice.

André Dao is a writer of fiction and non-fiction. He is the co-founder of Behind the Wire, an oral history project documenting people’s experience of immigration detention, and the deputy editor of New Philosopher. He is also a qualified lawyer, and has worked with asylum seekers and refugees in a legal capacity.

Jon Tjhia is a radio-maker, musician and writer. As the Wheeler Centre’s senior dig­i­tal editor, he led the Wheeler Centre’s col­lab­o­ra­tion with Behind the Wire to pro­duce The Mes­sen­ger. He's a co-founder of Paper Radio and the Australian Audio Guide.

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