Liquid Architecture is an Australian organisation for artists working with sound. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.
Our program stages encounters and creates spaces for sonic experience, and critical reflection on sonority and systems of sonic affect. To do this, we host experiences at the intersection of contemporary art and experimental music, supporting artists to produce performances and concerts, exhibitions, talks, reading groups, workshops and recordings in art spaces, music venues and other sites.
Liquid Architecture is curatorially driven and our methodology embraces research, collaborations and imaginations. We want to echo beyond local conversations, problems, debates and questions, to reverberate across media and disciplines, and so to sound out new discourses about the audible world, and beyond.
We acknowledge Aboriginal and Torres Strait Islander people as the first sovereign owners of this unceded country. We pay our respects to their Elders, past, present and becoming.
PO Box 12315
LIQUID ARCHITECTURE SOUND INC
Liquid Architecture (LA) is committed to protecting the privacy and security of personal information obtained and stored about its audience or clientele, including users of this website. We understand and appreciate that our audience or clientele and users of this website are concerned about their privacy and the confidentiality and security of any information that may be provided to us.
HOW PERSONAL INFORMATION IS COLLECTED
LA collects personal information in a variety of different ways depending on the type of contact that is made with the organisation. LA may also collect personal information over the phone, in person or by electronic correspondence in order to undertake its regular administrative operations.
The following are examples of how personal information may be collected by the organisation:
- Subscribing to LA’s e-newsletter via the website, in-person or other means
- Registering for LA’s programs of events (eg. performances, workshops, lectures)
- Purchasing a ticket for LA’s programs of events via a ticketing system
- Making an online enquiry
- Making an individual donation to LA
- Becoming a sponsor
- Submitting a proposal to LA
- Providing written feedback to LA
- If you become a LA Associate, Volunteer or Board Member
WHY PERSONAL INFORMATION IS COLLECTED
LA collects personal information in order to service the needs of its audience or clientele. All details are kept secure at all times and any individual may request their information is not used for direct marketing, research or any other purpose. If you opt-in to become a LA e-newsletter subscriber you are giving us permission to send you information about upcoming programs and services offered by LA and its partners and your details may be retained and used for the following purposes:
- To make recommendations to visitors about other services that LA offers that may be of interest
- Notifying changes of program details
- To market upcoming events
- For market research purposes
- To market online services
vFor such further and other lawful uses in connection with LA’s activities consistent with this Privacy Statement
DISCLOSURE OF PERSONAL INFORMATION
LA will not sell, lend, disclose, or give personal information of its audience or clientele to external individuals or organisations without first obtaining the customer’s consent, unless required by law. LA may, however, contact the audience on behalf of other organisations to offer information regarding their products. These organisations may include, but are not limited to other arts organisations or government departments.
KEEP PERSONAL INFORMATION ACCURATE
LA is committed to ensuring all personal information it collects is accurate, complete and up-to-date. However, the accuracy of this personal information to a large extent depends on the information provided by its clients. LA asks that all clients:
advise us if you become aware of any errors in your personal information.
advise of any changes in their personal details, such as address, email address and phone number.
The LA website contains links to other sites. LA is not responsible for the privacy practices of other sites. LA encourages users when they leave the site to read the privacy statements of each and every web site that collects personal information. This privacy statement applies solely to the activities of LA
ONLINE COLLECTION NON-PERSONAL INFORMATION
When you look at this website, our Internet Service Provider makes a record of your visit and logs the following information for statistical purposes only – the user’s server address, the user’s top level domain name (for example .com, .gov, .au, etc), the date and time of the visit to the site, the pages accessed and documents downloaded, the previous site visited, and the type of browser used. No attempt is, or will be, made to identify users browsing activities except, in the unlikely event of an investigation, where a law enforcement agency may exercise a warrant to inspect activity logs.
DATA ACCESS AND FURTHER INFORMATION
Jess Gall b. 1994, based in Naarm (Melbourne).
Approaches working through collaborative means with peers, practitioners and performers within her immediate community, as a means of collectively measuring how we fail or exceed within our own corporeal limits. Her practice addresses the dichotomy between production and presentation of performance as both imagery and event. Jess studied her BFA (hons) at RMIT. Her background in photography informs the development of an established cross-disciplinary approach to negotiating the current constraints of embodied performance practices, within institutional contexts, and the tension between visuality and presence. She is currently on a pursuit of disrupting dominant hierarchies of viewing, in order to critically shift the lenses through which performing bodies are comprehended. Jess has exhibited/performed at c3 contemporary arts space, Irene Rose Gallery, Blindside, TCB, Bus Projects, and 215 Albion. Jess acknowledges that she lives and works on the unceded sovereign land of the Wurundjeri people of the Kulin nation, and pays respect to elders past, present and emerging.
Arini Byng is an artist working with the affective qualities of materials, gestures and settings - undertaking exercises in image, movement and form to negotiate political scenes. Byng (born 1987) holds a B. Fine Art from NAS and B. Fine Art (Honours) from VCA. Her work has been exhibited across Australia including Blak Dot Gallery, 215 Albion, Irene Rose, c3 Contemporary Art Space, Hobiennale, Bus Projects, Slopes, Margaret Lawrence Gallery, Perimeter Presents, ACCA, and CCP; selected works published by Perimeter Editions, Higher Arc, Le Roy and Photofile; and with work held in publication collections of V&A, MoMA, MOCA, Tate Modern, MONA and NLA. Byng lives and works in Naarm (Melbourne) on the unceded sovereign land of the Wurundjeri people of the Kulin Nation.
Rebecca Jensen is a dancer, choreographer and teacher. Her work embraces the specificity of dance and dancerly thinking as live, complex, change-oriented, multi-faceted and non linear. She holds a BA dance from VCA. She has presented her work in Dance Massive 2015/17, Venice Biennale International Dance Festival 2018, Kier Choreographic Award Finals 2016, Neon Parc To Do/To Make 2018, MPavillion Liquid Architecture 2018, Spring 1883 Windsor Hotel 2016, Next Wave Festival 2014/18, Supercell Festival 2017, Lucy Guerin Pieces for Small Spaces 2011. Rebecca collaborates with Sarah Aiken (OVERWORLD, Underworld, Airports and much more.) In the winter solstice of 2013 founded Deep Soulful Sweats (Tempo Festival Auckaland, Dark MOFO, FOLA, PICA Reckless Acts, Brisbane Festival, Santarcangelo Festival Italy, Next Wave Festival and Chunky Move.) Rebecca has appeared in works with and by Jo Lloyd, Lucy Guerin, Sandra Parker, Shelley Lasica, Lee Serle, Public Movement (Israel), Mårten Spångberg (Sweden), Atlanta Eke, Amos Gerdhart, Lilian Steiner. Notable collaborations include: Prue Stevenson, Nathan Gray, Natalie Abbott, Zoe Scoglio, Liz Dunn, Nathan Gray, Luke George. She was a recipient of DanceWEB scholarship Impulstanz Vienna 2015.