Liquid Architecture is an Australian organisation for artists working with sound. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.
Our program stages encounters and creates spaces for sonic experience, and critical reflection on sonority and systems of sonic affect. To do this, we host experiences at the intersection of contemporary art and experimental music, supporting artists to produce performances and concerts, exhibitions, talks, reading groups, workshops and recordings in art spaces, music venues and other sites.
Liquid Architecture is curatorially driven and our methodology embraces research, collaborations and imaginations. We want to echo beyond local conversations, problems, debates and questions, to reverberate across media and disciplines, and so to sound out new discourses about the audible world, and beyond.
We acknowledge Aboriginal and Torres Strait Islander people as the first sovereign owners of this unceded country. We pay our respects to their Elders, past, present and becoming.
Liquid Architecture is a non-profit cultural organisation with Deductible Gift Recipient (DGR) status. We support artists working with sound.
Your support helps us instigate more programs, conduct more research, stage more extensive experiments and more exchanges with artists, and generate more dialogue. And more sound.
PO Box 12315
LIQUID ARCHITECTURE SOUND INC
Liquid Architecture (LA) is committed to protecting the privacy and security of personal information obtained and stored about its audience or clientele, including users of this website. We understand and appreciate that our audience or clientele and users of this website are concerned about their privacy and the confidentiality and security of any information that may be provided to us.
HOW PERSONAL INFORMATION IS COLLECTED
LA collects personal information in a variety of different ways depending on the type of contact that is made with the organisation. LA may also collect personal information over the phone, in person or by electronic correspondence in order to undertake its regular administrative operations.
The following are examples of how personal information may be collected by the organisation:
Subscribing to LA’s e-newsletter via the website, in-person or other means
Registering for LA’s programs of events (eg. performances, workshops, lectures)
Purchasing a ticket for LA’s programs of events via a ticketing system
Making an online enquiry
Making an individual donation to LA
Becoming a sponsor
Submitting a proposal to LA
Providing written feedback to LA
If you become a LA Associate, Volunteer or Board Member
WHY PERSONAL INFORMATION IS COLLECTED
LA collects personal information in order to service the needs of its audience or clientele. All details are kept secure at all times and any individual may request their information is not used for direct marketing, research or any other purpose. If you opt-in to become a LA e-newsletter subscriber you are giving us permission to send you information about upcoming programs and services offered by LA and its partners and your details may be retained and used for the following purposes:
To make recommendations to visitors about other services that LA offers that may be of interest
Notifying changes of program details
To market upcoming events
For market research purposes
To market online services
For such further and other lawful uses in connection with LA’s activities consistent with this Privacy Statement
DISCLOSURE OF PERSONAL INFORMATION
LA will not sell, lend, disclose, or give personal information of its audience or clientele to external individuals or organisations without first obtaining the customer’s consent, unless required by law. LA may, however, contact the audience on behalf of other organisations to offer information regarding their products. These organisations may include, but are not limited to other arts organisations or government departments.
KEEP PERSONAL INFORMATION ACCURATE
LA is committed to ensuring all personal information it collects is accurate, complete and up-to-date. However, the accuracy of this personal information to a large extent depends on the information provided by its clients. LA asks that all clients:
advise us if you become aware of any errors in your personal information.
advise of any changes in their personal details, such as address, email address and phone number.
The LA website contains links to other sites. LA is not responsible for the privacy practices of other sites. LA encourages users when they leave the site to read the privacy statements of each and every web site that collects personal information. This privacy statement applies solely to the activities of LA
ONLINE COLLECTION NON-PERSONAL INFORMATION
When you look at this website, our Internet Service Provider makes a record of your visit and logs the following information for statistical purposes only – the user’s server address, the user’s top level domain name (for example .com, .gov, .au, etc), the date and time of the visit to the site, the pages accessed and documents downloaded, the previous site visited, and the type of browser used. No attempt is, or will be, made to identify users browsing activities except, in the unlikely event of an investigation, where a law enforcement agency may exercise a warrant to inspect activity logs.
DATA ACCESS AND FURTHER INFORMATION
Open List of portraits to create:
ambassador, bailiff, baker, banker, bodyguard, broker, bus driver, cashier, cellar man (wine merchant), clerk, controller, delivery man, doctor, farmer, fireman, fisherman, florist, garbage collector, gas station attendant, grocer, hostess, illegal worker, IT officer, locksmith, mayor, minister, model, model, MP, newsagent, postman, printer, prison warden, prisoner, retail worker, salesman, senator, sex worker, tax inspector, teacher, trainer, TV presenter, waiter, webmaster, window dresser.
accountant, an expert in gambling, architect, art director, artist, athlete, barrister, bartender, biologist, bookseller, brigadier, business consultant, butcher, carpenter, chef, choreographer, coffee roaster, conservator, contractor, dentist, deputy prosecutor, designer, director of a crematorium, director of the funeral home, editor, electrician, electrician, employee, engineer, film director, finance manager, fishmonger, florist, gallery owner, graphic designer, guitarist, head of business, housekeeper, insurer astronaut, jeweler, journalist, judge, kindergarten teacher, law professor, Lawyer specialised in associations and foundations rights, legal expert, actress, MD, musician, nurse, paramedic, photographer, plaintiff, plumber, poet, policeman, priest, producer, project manager, projectionist, publicist, script writer, secretary, security officer, singer, social worker, steward, teacher, translator, unemployed, union worker, visual artist.
Anne-James Chaton is a French artist, poet, author and curator, working as a writer, performer and a collaborator with musicians, choreographers, artists and alike.
His visual and sound works, drawn from his writing materials, have been the subject of several solo and group exhibitions in France and abroad. Anne-James Chaton also founded the festival Sonorités in Montpellier (France), and recently directed the project RADIO at Louis Vuitton Foundation in Paris.
He has published several books since 2008 and joined the German label Raster-Noton in 2011 with Evénements 09 and Décade (with Andy Moor and Alva Noto) released in 2012 . On the Dutch Label Unsounds he released an album with the post-rock band The Ex in 2008, and developed a duo with its guitarist Andy Moor (Transfer, 2013). He worked on the albums Unitxt (2008) and Univrs (2011) by German artist Carsten Nicolai aka Alva Noto. In 2013 he began a collaboration with singer and composer Nosfell and formed the trio HERETICS with Andy Moor and Thurston Moore, guitarist and singer of Sonic Youth.
Alice Hui-Sheng Chang
Amanda Stewart and Jim Denley
Anna Homler AKA Breadwoman
Anthony Lyons and Paul Fletcher
Antoinette J. Citizen
Antonia Sellbach with Julie Burleigh and Alison Bolger
Atlanta Eke and Daniel Jenatsch
Beth Sometimes & Caroline Anderson
Bhenji Ra x Del Lumanta x Daryl Prondoso
Black Quantum Futurism
Brian Fuata x Enderie
Bryan Phillips AKA Galambo
COCO SOLID AKA Jess Hansell
Catherine Clover and Peter Knight
Chloe Alison Escott
Christopher LG Hill
Chun Yin Rainbow Chan
Clare Milledge and Tom Smith
Clocks and Clouds
Collingwood College Sound Collective
12 dog cycle
David Shea and Kristi Monfries
Dennis Del Favero
Dirk de Buyn
Sonia Leber and David Chesworth
Eric Demetriou and Herbert Jercher
Evelyn Araluen Corr
Evelyn Ida Morris
Faene (Corin x Ju Ca)
Fayen d’Evie and Jen Bervin with Bryan Phillips and Andy Slater
Feminist Theory Group
Fernando do Campo
Haco and Toshiya Tsunoda
Hannah Catherine Jones AKA Foxy Moron
Harriet Kate Morgan
Hi God People
Rosalind Hall and Dave Brown
Is There A Hotline?
id m thffft able
J'Ouvert Ft Makeda and The AM Trio - Ece Yavuz, Alvin Rostant and R
James Utting-Webb and Riley Lockett
Jenny Ruth Barnes
Joanna Anderson & Michael Prior
Johannes S. Sistermanns
Julia Drouhin and Pip Stafford
Anja Kanngieser and Daniel Jenatsch
Keith Fullerton Whitman
Lacking Sound Festival
Lawrence Abu Hamdan
Lei Lei Kung
Leila El Rayes
Leila El Rayes x Poison
Lorna & Aunty Jenny Munro
Snack Syndicate (Andrew Brooks and Astrid Lorange)
Joseph Jordania and Nino Tsitsishvili with Melbourne Georgian Choir
M J Grant
Matthew P. Hopkins
Matthew P. Hopkins & Julie Burleigh
Media Lab Melbourne
Megan Alice Clune
Mehera San Roque
Michael Green, André Dao, Jon Tjhia, Abdul Aziz Muhamat, Farhad Bandesh, Behrouz Boochani, Shabbir Hussein and more
Monica Monin & Astrid Lorange
Nathan John Thompson
Noel Meek and Olivia Webb
Peter Brötzmann and Heather Leigh
Pia Van Gelder
Poppy de Souza
Queens of the Circulating Library
Romy Seven Fox
Sally Ann McIntyre
Shi Chao Lai
Th Duo Trio
Thanh Hằng Phạm
The Charles Ives Singers
The Donkey's Tail
Ting Shuo Hear Say
Undine Sellbach & Stephen Loo
Ur 1st Luv
Ute Meta Bauer
Will Foster and Sabrina D’Angelo