Liquid Architecture is an Australian organisation for artists working with sound. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.
Our program stages encounters and creates spaces for sonic experience, and critical reflection on sonority and systems of sonic affect. To do this, we host experiences at the intersection of contemporary art and experimental music, supporting artists to produce performances and concerts, exhibitions, talks, reading groups, workshops and recordings in art spaces, music venues and other sites.
Liquid Architecture is curatorially driven and our methodology embraces research, collaborations and imaginations. We want to echo beyond local conversations, problems, debates and questions, to reverberate across media and disciplines, and so to sound out new discourses about the audible world, and beyond.
We acknowledge Aboriginal and Torres Strait Islander people as the first sovereign owners of this unceded country. We pay our respects to their Elders, past, present and becoming.
PO Box 12315
LIQUID ARCHITECTURE SOUND INC
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LA collects personal information in a variety of different ways depending on the type of contact that is made with the organisation. LA may also collect personal information over the phone, in person or by electronic correspondence in order to undertake its regular administrative operations.
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DATA ACCESS AND FURTHER INFORMATION
Tzusing, Giant Swan, Jannah Quill, Kangaroo Skull, bodies, Lilly Kane
7-11 Dawson St
TZUSING’s galvanising industrial compositions are punctuated by moments of traditional rhythm and dismembering humour. The Shanghai–Taipei based artist has released countless genre-melting records on Bedouin, L.I.E.S. and SBVKVLT. He continually reforms the terrain of modern club music with a minced approach that perplexes our attention spans and orientation.
GIANT SWAN’s cross-bred energy of corrupted rave beats produces a telepathic bond between the duo and their audience. With strong ties to the collective Howling Owl, and releases on Fuck Punk and Time Dance, the Bristol group have cemented themselves as vital players in a city with musical heritage that runs deep.Their frenzied improvisation and ‘techno-not-techno’ vision both obliterates and invigorates the rave genre.
KANGAROO SKULL has established himself in Melbourne’s club underground as a powerhouse of rhythmic experimentation. His live sets are crafted around a masterfully manipulated TR 808, augmented with digital soundscapes pulled from agonising algorithmic explorations. The result walks the line between analog grit and digital precision.
JANNAH QUILL is a Sydney–Melbourne based artist whose electrical experiments take the form of installations, performances and recorded sound. Fusing DIY electronics with off-the-shelf abuse, Quill’s live performances comprise menacing walls of static cut by brutal and beguiling techno beats. Her approach to sound is marked by equally by club culture and the experimental, improvisatory and collaborative approaches of avant-garde music.
LILLY KANE realised her potential and life purpose in translating a medical intervention. Her debut EP Incognito was released via Warsaw based label Intruder Alert this August.
BODIES is an ever shifting collaboration between irby casilli, cameron goodwin, lillian palser barto, ben sendy-smithers, ruben stoney, alexander thomas and daniel ward. they explore sound and movement. “...angels; performing spaces transform themselves into heaven; and composers express the hope that their music will arouse in listeners and performers the desire of hearing the choirs of angels in the life to come." (Gibson & Biddle, 2017)
Audio-Visual oddities on the night will be produced by ECE YAVUZ and GUILLAUME VENGRASAMY; and ASHER ELAZARY.
ADDITIONAL AUSTRALIAN DATES
Fri, 07. Dec
Sat, 14. Dec