Liquid Architecture

Investigations: Eavesdropping Polythinking Ritual Community Music Why Listen?
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Liquid Architecture is an Australian organisation for artists working with sound. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.

Our program stages encounters and creates spaces for sonic experience, and critical reflection on sonority and systems of sonic affect. To do this, we host experiences at the intersection of contemporary art and experimental music, supporting artists to produce performances and concerts, exhibitions, talks, reading groups, workshops and recordings in art spaces, music venues and other sites.

Liquid Architecture is curatorially driven and our methodology embraces research, collaborations and imaginations. We want to echo beyond local conversations, problems, debates and questions, to reverberate across media and disciplines, and so to sound out new discourses about the audible world, and beyond.

We acknowledge Aboriginal and Torres Strait Islander people as the first sovereign owners of this unceded country. We pay our respects to their Elders, past, present and becoming.

staff

Joel Stern
CO-CEO / ARTISTIC DIRECTOR
Danni Zuvela
CO-CEO / ARTISTIC DIRECTOR
Georgia Hutchison
CO-CEO / GENERAL MANAGER
Debris Facility
ADMINISTRATOR
Mathew Spisbah
ASSOCIATE CURATOR
Autumn Royal
EDITOR

board

Jennifer Barry
CHAIR
David Chesworth
BOARD MEMBER
Hannah Fox
BOARD MEMBER
Michael Graeve
VICE CHAIR
Andy Miller
BOARD MEMBER
Mark Nolen
BOARD MEMBER
Kristen Smith
SECRETARY

technical

Bridget Chappel
SOUND
Charlie Freedman
VIDEO
Keelan O’Hehir
PHOTOGRAPHY
Paul Mylecharane and Matt Lenz (Public Office)
DESIGN
Benjamin Portas
MOTION
Jacqui Shelton
PHOTOGRAPHY
Lauren Squire
SOUND
Josh Watson
VIDEO

comrade

Elena Betros
Clare Cooper
Asher Elazary
Nathan Gray
Jason Heller
Anabelle Lacroix
Paris Lettau
Sarah Mccauley
Dr James Parker
Mino Peric
Anatol Pitt
Jessica Row
Emily Siddons
Sezzo Snot
Beth Sometimes
Cara Stewart
Darcy Wedd
Makeda Zucco
Ece Yavuz

Contact

info@liquidarchitecture.org.au
FB, IG, YT, SC

PO Box 12315
Melbourne
VIC 8006
AUSTRALIA

LIQUID ARCHITECTURE
SOUND INC
ABN 73128090237
ASN A0050679K

Privacy Statement

Privacy Statement

Liquid Architecture (LA) is committed to protecting the privacy and security of personal information obtained and stored about its audience or clientele, including users of this website.

We understand and appreciate that our audience or clientele and users of this website are concerned about their privacy and the confidentiality and security of any information that may be provided to us.

This policy applies when liquid architecture determines what information will be collected or disclosed, or how any information will be processed.

We take a broad understanding of what constitutes ‘personal information’. We understand ‘personal information’ to include any information relating to an identified or identifiable natural person. An identifiable natural person is one who can be identified, directly or indirectly, in particular by reference to an identifier such as a name, an identification number, location data, an online identifier or to one or more factors specific to the physical, physiological, genetic, mental, economic, cultural or social identity of that natural person.

We may update this policy from time to time by publishing the new version on our website.

THE TYPES OF PERSONAL INFORMATION LA COLLECTS

The following are examples of the types of personal information that may be collected by the organisation.

  • Contact information including email address, phone number, names, gender, organisation, role.
  • Connection information including linkages and referrals between people.
  • Financial information including amounts paid to LA, donated to LA, or received by LA.
  • When you visit our website, our server maintains an access log that includes the following information: the visitor’s IP address, the date and time of the visit to the site, the pages accessed and documents downloaded, the previous site visited, and the type of browser used.
  • When you visit our website, cookies are installed on your device that provides information to Google Analytics to give us statistical information about our visitors.

HOW PERSONAL INFORMATION IS COLLECTED

LA collects personal information in a variety of different ways depending on the type of contact that is made with the organisation. We collect personal information both from individuals directly and from third parties.

  • Subscribing to LA’s e-newsletter via the website, in-person or other means.
  • Registering for LA’s programs of events (eg. performances, workshops, lectures)
  • Purchasing a ticket for LA’s programs of events via a ticketing system (eg Eventbrite)
  • Making an online enquiry.
  • Making an individual donation to LA.
  • Becoming a sponsor.
  • Submitting a proposal to LA.
  • Providing written feedback to LA.
  • Through agreements with programming partners to add addresses to our mailing lists.
  • Images of persons might be collected during documentation of an LA performance.
  • If you become a LA Associate, Volunteer or Board Member.

LA may also collect personal information over the phone, in person or by electronic correspondence in order to undertake its regular administrative operations.

LA does not collect any data associated with use of its website. LA does not use cookies and does not log IP addresses.

WHY PERSONAL INFORMATION IS COLLECTED

LA collects personal information in order to service the needs of its staff, audience and partnerships. This information is only used with your consent. Your personal information may be retained and used for the following purposes:

  • For communicating about upcoming programs and services offered by LA and its partners.
  • For documenting LA performances and events.
  • To make recommendations to web-site visitors about other services that LA offers that may be of interest.
  • To communicate to LA audiences on behalf of other arts or government organisations offering information regarding their products.
  • To communicate with staff, artists, associates, volunteers, or Board Members.
  • Notifying changes of program details.
  • To market upcoming events.
  • For market research purposes.
  • To market online services.

All details are kept secure at all times and any individual may request their information is not used for direct marketing, research or any other purpose.

DISCLOSURE OF PERSONAL INFORMATION

LA will not sell, lend, disclose, or give personal information of its audience or clientele to external individuals or organisations without first obtaining the customer’s consent.

LA may, however, disclose your personal information or financial data (information exchanged in transactions relating to donations, ticket purchasing or any other product sold):

  • To our insurer or legal advisors for the purpose of obtaining insurance coverage, obtaining professional advice, and managing risks.
  • To our payment services providers or financial institutions. LA will share transaction data only to the extent necessary for processing, refunding, or dealing with queries about payments.
  • In a situation where such disclosure is necessary for compliance with a legal obligation that LA is subject to, or in order to protect the vital interests of a person.

LA will not disclosure personal information to recipients in another jurisdiction unless that jurisdiction has a privacy regime at least as equally protective as Australia. LA will always ask for specific consent before disclosing personal information to a recipient in another jurisdiction.

PERSONAL INFORMATION ACCURACY

LA is committed to ensuring all personal information it collects is accurate, complete and up-to-date. However, the accuracy of this personal information to a large extent depends on the information provided by its clients. LA asks that all clients:

  • Advise us if you become aware of any errors in your personal information.
  • Advise of any changes in their personal details, such as address, email address and phone number.

YOUR RIGHTS

At any time, any person has the right:

  • To know what personal information LA holds about them and how it has been used.
  • To correct or alter any personal information LA holds about them.
  • To have the personal information about them erased.
  • To withdraw consent for the collection, retention, disclosure, use or processing of personal information.
  • To make a request or inquiry, write to info@liquidarchitecture.org.au

WEBSITE

The LA website contains links to other sites. LA is not responsible for the privacy practices of other sites. LA encourages users when they leave the site to read the privacy statements of each and every web site that collects personal information. This privacy statement applies solely to the activities of LA.

OUR DATA SECURITY POLICY

LA takes steps to prevent the personal information it holds from misuse, loss, interference or unauthorised access. Personal information is never stored in cloud servers.

LA will also destroy or de-identify personal information when it is no longer needed, or when requested.

Events

Eavesdropping: Susan Schuppli and Sam Kidel

Institute of Modern Art
420 Brunswick Street
Fortitude Valley
Brisbane QLD 4006
Australia
6-8pm

Susan Schuppli: Material Witnesses

The mate­r­ial wit­ness — an entity (object or unit) whose phys­i­cal prop­er­ties or tech­ni­cal con­fig­u­ra­tion records evi­dence of pass­ing events to which it can bear wit­ness. Whether these events reg­is­ter as a by-prod­uct of an unin­ten­tional encounter or as an expres­sion of direct action, his­tory and by exten­sion pol­i­tics is reg­is­tered at these junc­tures of onto­log­i­cal inten­sity. More­over, in dis­clos­ing these encoded events, the mate­r­ial wit­ness makes ​‘evi­dent’ the very con­di­tions and prac­tices that con­vert such event­ful mate­ri­als into mat­ters of evi­dence.

SUSAN SCHUP­PLI is a Cana­dian artist, researcher and audio-inves­ti­ga­tor cur­rently asso­ci­ated with the London-based research agency Foren­sic Archi­tec­ture. Over the last twenty years, Schup­pli has returned again and again to the theme of eaves­drop­ping, with a par­tic­u­lar con­cern for the mate­r­ial his­tory and pol­i­tics of audio-tape and the tele­phone.

Sam Kidel: Customer Service Agent

Where do you hear my voice? Do you hear it in the bone behind your ear? Does it radi­ate from your chest, towards your shoul­ders and beyond your body? Some­times when I hear a voice over the phone, it vibrates from the speaker at my ear, down the bone to the back of my neck, and sits there, hum­ming, behind my vocal cords.

Cus­tomer Ser­vice Agent is a sound per­for­mance piece explor­ing the call centre worker as a figure of sub­jec­tion to con­tem­po­rary cap­i­tal­ism, and the place of noise, inti­macy, and fan­tasy in this tedious, alien­ated work.

"Since work­ing in call cen­tres for a decade, I have been making art that explores this set­ting through sound. Call cen­tres are places of con­stant eaves­drop­ping: the work­ers listen to the callers, the team lead­ers listen to the work­ers, the man­agers listen to all. While cen­tres col­lect and trans­mit cer­tain types of ​‘signal’, I’m inter­ested in ​‘noise’: the inti­macy of words and sounds off-script, dis­in­te­grat­ing hold music played through impre­cise tele­phone lines, and dis­rup­tion."

SAM KIDEL is a British artist, musi­cian and researcher. His 2016 album Dis­rup­tive Muzak (Death of Rave) was described by Boomkat as ​‘a modern ambi­ent mas­ter­piece… the most pre­scient record of our times’.

Eavesdropping, a col­lab­o­ra­tion between Liquid Archi­tec­ture, Mel­bourne Law School and the Ian Potter Museum of Art, com­pris­ing an exhi­bi­tion, a public pro­gram, series of work­ing groups and tour­ing event exploring the pol­i­tics of lis­ten­ing through work by artists, researchers, writ­ers and activists from Aus­tralia and around the world.

Sam Kidel is supported by the Macgeorge Bequest.

Partners

Artists

Sam Kidel

"I dial a number into the phone. Someone picks up, and I follow the script. In between words, saliva rolls around my mouth folding around air pockets that pop quietly. The person on the other end of the line breathes more heavily than I expect, occasionally blowing directly into the phone handset, rattling the microphone and sending the sound of a strong gale down the wires of their telephone line. The sound travels through the microphone, into the grid, across vast networks of wires, into the call centre, through the telephone speaker cone and into my ear. I almost feel the warmth of their breath on the back of my neck."

Susan Schuppli

WORKS: The Missing 18 1/2 Minutes; Listening to Answering Machines




"The material witness — an entity (object or unit) whose physical properties or technical configuration records evidence of passing events to which it can bear witness. Whether these events register as a by-product of an unintentional encounter or as an expression of direct action, history and by extension politics is registered at these junctures of ontological intensity. Moreover, in disclosing these encoded events, the material witness makes ‘evident’ the very conditions and practices that convert such eventful materials into matters of evidence."

Archive

ANNOUNCING: Disclaimer Journal

ANNOUNCING: Disclaimer Journal

ANNOUNCING: Disclaimer Journal

ANNOUNCING: Disclaimer Journal