Natasha Anderson is an Australian composer, musician and installation artist. She makes instrumental, audiovisual and acousmatic works in a variety of forms; from solo performance and notated scores, to installation and multichannel diffusion. A primary interest lies in creating idiosyncratic, preternatural electronic sounds from acoustic sources, and exploring the relationship between these and their live physical source in composition.
Natasha has been commissioned by the Sydney Symphony Orchestra, ICE: International Contemporary Ensemble, New York; Ensemble Adapter, Berlin; Ensemble Phoenix, Basel; Sacrum Profanum Festival, Krakow; the Bionics Institute, Melbourne; and Ensemble Offspring, Sydney. In 2019, her work *Cleave* was premiered at the 2019 Sydney Festival, with subsequent performances at Roulette, New York; and Radialsystem, Berlin (for the opening concert of Berlin’s Month of Contemporary Music festival). Natasha has made radio works for the Australian Broadcasting Commission, and installations for Liquid Architecture, Linden Gallery and NCCA, Darwin. Her work has been performed at The Pompidou Centre, Paris; LSO St Lukes, London; Carriageworks, Sydney; Musée d'Art Moderne et Contemporain, Stuttgart; and at Maison Folie, Belgium.

Natasha Anderson

Patrick Gunawan Hartono is an Indonesian electroacoustic composer and audiovisual artist. He earned a Bachelor of Music in Composition from Rotterdam Conservatory with Minor Study at The Institute of Sonology, Masters in Sonic Arts from the University of London, Goldsmiths, and Live Electronic Course from IRCAM, Paris. In 2017 he won the ICMA audience award for his generative audiovisual piece Matrix Studies, the 1st Prize for WOCMAT 2019 International Electroacoustic Music Young Composer Award, and Prix CIME 2021 for his audiovisual composition ‘Parakletos.’
Patrick’s art and musical interest are to use technology and scientific approaches as creative tools. He is also interested in 3D sound spatialisation, analog/digital synthesis, psychoacoustic, visual music. Most of his works use the sound of Indonesian traditional music instrument, computer-generated sound/images, field recordings; transformed, rearranged, modulated by mathematical rules, real-time interaction, and controlled random operations.
His music has been internationally performed at festivals, conferences, and venues including ICMC, YCMF, WOCMAT, Sound Bridge Festival, ZKM, IRCAM, NYCEMF, Sines and Square, ACL, and Gaudeamus. Currently, Patrick resides in Melbourne, Australia, to pursue a doctoral degree at the University of Melbourne, where he is actively involved within national/international computer music communities.
www.patrickhartono.com

Patrick Gunawan Hartono

Tangerine is a producer and DJ based in Naarm. With a background in piano and classical music composition, Tangerine played her first live set late 2020 and has since been exploring electronic music production. Her style cites many different styles and moods; mainly IDM, trance, dnb, and contemporary classical. Her practice is guided by the desire to express her own sensitivity, and her appreciation for the transcendental experiences that dancefloors create.

Tangerine

alsi is a sound artist and musician working on stolen and unceded Wurundjeri and Boon Wurrung lands. Her sounds draw heavily from bass music continuums, occasionally drifting towards sound collage and ambient spaces. Her debut release in March 2021 came in the form of two tracks for a compilation on Naarm's Powertrip label.

alsi

Kia’s speedy rise to notoriety is no surprise. Although having only performed for the best part of a year, Kia plays with the confidence and experience expected of a DJ with many more years under their belt. With a keen ear for bass heavy rhythms, IDM and the deeper and sometimes darker shades of techno, Kia impressively glides through genres and emotions in exciting and often unexpected ways. Her obvious talent for weaving musical narratives has clearly been recognised, having already constructed revered mixes for notable national and international labels such as Nous’klaer, Steeplejack and Patterns of Perception. \[Kia's SoundCloud]\(https://soundcloud.com/kia-sydney)

Knotting is the collaborative project of electronic artist Matt Sabbadini (Third Space) and experimental vocalist Georgia Gamper (Things Unsaid). Born of an urge to explore the contrasts and similarities of both artists’ music, the duo create works of manipulated voice complemented by electro-acoustics and synthesis.
*Intimate whisperings stay tight-knit with modular embrace; a timbral dream emerges.*

Knotting

Todd Anderson-Kunert's practice centres around emotion, experimental sound, and
spatio-temporal qualities. Their practice encompasses performance, installation, film, and a
variety of sonic releases. Within each of these environments, time plays an integral role. Their
performance practice utilises aspects of minimalism, frequency, intensity, and silence.
www.toddanderson-kunert.com

Todd Anderson-Kunert

Warren Burt is a composer, performer, writer, instrument builder (both hardware and software), film and video maker, sound poet, radio producer, computer programmer, etc. He came to Australia in 1975 to found the Music Department at La Trobe University. Burt studied and performed with the likes of Joel Chadabe, Robert Erickson, and Kenneth Gaburo and his performances and compositions have been performed in Australasia, North America, Europe and Japan. He assisted in the founding of the Clifton Hill Community Music Centre, 1976 and has produced radio productions for 3CR, 3MBS, 3PBS, ABC-Classic FM. He is currently the Coordinator of Postgraduate Studies in Music, Box Hill Institute in Melbourne. He holds a Master of Arts from University of California, San Diego and a PhD from University of Wollongong. (Website)\[http://www.warrenburt.com/]

Warren Burt

Liquid Architecture and Melbourne Music Week present two nights of experimental and electronic music genealogies, featuring artists whose works span from the 1970s to today.
Programmed at Miscellania, audiences are invited to immerse themselves in sound-worlds representing multiple generations of Melbourne’s experimental scene, with artists including Warren Burt, Natasha Anderson, Todd Anderson-Kunert, Tangerine, Knotting, Moopie, Kia, alsi, and Patrick Gunawan Hartono.
Expect modular synthesis, electro-acoustic experiments, algorithmic noise, minimalism and maximalism, microtonality, audio-collage, and acousmatic works; aka spaces for listening, thinking, imagining, and manifesting other worlds.
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Friday 10 December
8.00pm 	LA DJ’s
8.45pm 	Warren Burt
9.40pm	Todd Anderson-Kunert
10.35pm 	alsi
11.20pm 	Tangerine
12.00am 	Moopie
Saturday 11 December
8.00pm 	LA DJ’s
9.30pm 	Knotting
10.30pm 	Natasha Anderson
11.30pm 	Patrick Hartono
12am 	Kia
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Li(quid)stening
Architecture

Liquid Architecture x Melbourne Music Week: Ritual Community Music

Featuring:

Friday 10 December
8.00pm LA DJ’s
8.45pm Warren Burt
9.40pm Todd Anderson-Kunert
10.35pm alsi
11.20pm Tangerine
12.00am Moopie
Saturday 11 December
8.00pm LA DJ’s
9.30pm Knotting
10.30pm Natasha Anderson
11.30pm Patrick Hartono
12am Kia

Liquid Architecture x Melbourne Music Week: Ritual Community Music

Featuring:

Friday 10 December 8.00pm LA DJ’s 8.45pm Warren Burt 9.40pm Todd Anderson-Kunert 10.35pm alsi 11.20pm Tangerine 12.00am Moopie Saturday 11 December 8.00pm LA DJ’s 9.30pm Knotting 10.30pm Natasha Anderson 11.30pm Patrick Hartono 12am Kia

Related Events

Friday 10 December
8.00pm LA DJ’s
8.45pm Warren Burt
9.40pm Todd Anderson-Kunert
10.35pm alsi
11.20pm Tangerine
12.00am Moopie
Saturday 11 December
8.00pm LA DJ’s
9.30pm Knotting
10.30pm Natasha Anderson
11.30pm Patrick Hartono
12am Kia