Liquid Architecture

Investigations: Eavesdropping Polythinking Ritual Community Music Why Listen?
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SCREENING
Luke Fowler: Electro-Pythagorus
8–11pm Fri, 22. Feb
LA x Artist Film Workshop

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Liquid Architecture is an Australian organisation for artists working with sound. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.

Our program stages encounters and creates spaces for sonic experience, and critical reflection on sonority and systems of sonic affect. To do this, we host experiences at the intersection of contemporary art and experimental music, supporting artists to produce performances and concerts, exhibitions, talks, reading groups, workshops and recordings in art spaces, music venues and other sites.

Liquid Architecture is curatorially driven and our methodology embraces research, collaborations and imaginations. We want to echo beyond local conversations, problems, debates and questions, to reverberate across media and disciplines, and so to sound out new discourses about the audible world, and beyond.

We acknowledge Aboriginal and Torres Strait Islander people as the first sovereign owners of this unceded country. We pay our respects to their Elders, past, present and becoming.

staff

Joel Stern
CEO / Artistic Director Joel Stern is a curator, researcher, and sound artist, concerned with theories and practices of sound and listening. He is the Artistic Co-Director of Liquid Architecture, a leading Australian organisation that stages encounters and creates spaces for sonic experience and critical reflection on systems of sonic affect, at the intersection of contemporary art and experimental music. Stern is part of OtherFilm, an artist collective driven by a central curiosity about the limits of the moving image. He has initiated the experimental residency Instrument Builders Project in 2013. Stern is a PhD candidate in Curatorial Practice at Monash Art, Design and Architecture, where he teaches Sound (in the Space of Art).
Danni Zuvela
CEO / Artistic Director With Joel Stern, Danni is Artistic Director/CEO of Liquid Architecture. Since 2004, Danni has co-directed the artists’ collective OtherFilm (co-founded with Joel Stern [Melbourne] and Sally Golding [London]). In 2013 she joined forces with the Gold Coast-based artist-run gallery The Walls, where worked as the Secretary, Curator and Deputy until 2018. At The Walls, she led programming and strategic initiatives, and she continues to generate socially-engaged experimental projects on the Gold Coast. Danni has an academic background, with a research PhD on experimental film and art history, teaching extensively into her field, and publishing critical writing across a range of publications. Danni’s research informs her curatorial work with interests in feminism, activism, ecology, language and performance.
Georgia Hutchison
CEO / General Manager Georgia works across creative disciplines with communities, businesses, cultural institutions and policy-makers. Her education and experience spans arts management; industrial design with a social, sustainable and systemic approach; curatorial and cultural leadership. For the last fifteen years she has worked between universities, studio and non-profit environments—most recently researching artist run economies with All Conference; and communicating the built environment with U-P. As an artist Georgia performs and photographs encounters with material scenarios and social currencies.
Debris Facility
Administrator Debris is a speculative corporate entity working from one human body. The Facility entered into partnership with Liquid Architecture to oversee Administration in 2018 onwards. Participation in events organising alongside practice lead research and exhibition productions pushes Administration into an performative medium. Maintaining an active exhibition profile alongside residencies, teaching, collaborations and contracts, the Facility works to amplify it’s reach through the oscillation of signal to noise ratio’s of im/material contexts of exhibition production, media, performance,wearables, installation and interventions.

board

Jennifer Barry
CHAIR JENNIFER BARRY has over 25 years’ experience leading arts organisations, managing creative projects, consulting, producing the work of artists nationally and internationally, and curating public programs. Previous positions include: Manager of Public Programs at Federation Square, Executive Director of Shunpike (Seattle), Director/CEO of Footscray Community Arts Centre, Founder/Director of Keep Breathing, and Executive Producer/Co-CEO of Chunky Move, among others. As a consultant, Jennifer’s clients have included the Australia Council for the Arts, Arts Victoria, the City of Melbourne, the Australian Art Orchestra, and the Australian Network for Art and Technology, among others. She has served on numerous boards and industry panels and is currently Project Director for the Royal Children’s Hospital 150th Anniversary.
David Chesworth
MEMBER DAVID CHESWORTH is an artist and composer, known for his experimental, and at times minimalist music, who has worked with electronics, contemporary ensembles, film, theatre and experimental opera. Together with Sonia Leber, Chesworth has created installation artworks using sound, video, architecture and public participation. Exhibitions include ‘56th Venice Biennale (2015), ‘19th Biennale of Sydney (2014), ‘Melbourne Now’, National Gallery of Victoria, Melbourne (2013-14). Festivals featuring Chesworth’s music and sound works include Ars Electronica, Festival D’Automne de Paris, Bang on a Can Marathon, New York, Sydney Biennale, Adelaide and Melbourne Festivals and MONA FOMA. Early in his career he was co-founder of post-punk band Essendon Airport and for five years was coordinator of the Clifton Hill Community Music Centre in Melbourne. David Chesworth joined the Liquid Architecture Board in 2015. David teaches Sound (in the space of Art) at Monash Art, Design and Architecture, where he recently completed his doctorate researching sonic framing and temporality with artwork experiences.
Hannah Fox
MEMBER Hannah Fox is an Artist, Curator and Creative Producer working in the fields of sound, public art, contemporary music and live art. For the last decade, Hannah has been working in partnership with Tom Supple under the name Supple Fox. The company’s portfolio of work has spanned a variety of self-initiated projects and more formal roles including Artistic Associates at Melbourne Festival where they curated the contemporary music program for four years, and more recently an ongoing role as full time Creative Associates for Dark Mofo. Prior to this, Hannah lived and worked in the UK for ten years working in programming for Glastonbury Festival, managing a large touring nightclub called Torture Garden and as the Head of Design for a UK based creative agency called Lavish; devising and producing performance work and programs for a broad range of clients from Mötley Crüe to the Tate Modern. Currently, Hannah is working in collaboration with Byron J. Scullin and Tom Supple to realise a new international presentation of “Clarion Call”, a large-scale outdoor sonic artwork commissioned by the SPILL Festival of Performance and 14-18 NOW as well as stepping into a new role with Dark Mofo as Associate Creative Director.
Michael Graeve
VICE CHAIR DR. MICHAEL GRAEVE is a sound and visual artist and educator. Michael joined the Liquid Architecture board 10 years ago at the time of incorporation in 2007 and was President and Chair from 2011-2017. Michael has been committed to artist-run culture, developing small arts organisation expertise first as a founding committee member of Grey Area Art Space Inc (1996 -1999) and then as board member and program manager at West Space Inc (2000 – 2004). He exhibits, performs, curates and teaches internationally and teaches in the Sound, Sculpture and Spatial Practice Department, Expanded Studio Practice, Honours and the MFA Program at RMIT University, and has previously taught at The School of the Art Institute of Chicago, Monash University, The Victorian College of the Arts and Victoria University.
Andy Miller
MEMBER ANDY MILLER currently works as the General Manager of Multicultural Arts Victoria. Initially trained as a painter at the Canberra School of Art, Andy Miller worked in theatre for a number of years before working to establish arts programs in the community sector. Following a few years as an arts and cultural officer at two local governments, Andy began a career in the state public service in various senior roles at Arts Victoria and Creative Victoria and was seconded for a period with Creative Partnerships Australia, as Senior Programs Manager. As well as a Bachelor in Fine Arts, he has a Masters in Public Policy and a Graduate Diploma in Arts Management from the University of Melbourne.
Phip Murray
MEMBER PHIP MURRAY is an independent writer and curator, and a part-time academic in the School of Architecture and Design at RMIT where she lectures in the history/theory of art, design and architecture. Phip was Director of West Space from 2008–2012 and, prior to that, an Associate Producer for the Next Wave Festival. Phip has a particular interest in interdisciplinary art practice, and has curated projects such as Time Has Come Today, a program exploring sound, moving image and performance projects (West Space, 2012) and Tyger, Tyger, a new commissions series including projects by Philip Brophy, Constanze Zikos, David Chesworth, and Juan Davila (West Space, 2011-2012).
Mark Nolen
TREASURER MARK NOLEN is a Certified Practising Accountant with extensive experience in the creative industries sector. He is currently Management Accountant at the Australian Centre of the Moving Image, having previously worked in a similar role at Film Victoria. Along the way he has helped countless singers, actors and even clowns get their taxes in order – no laughing matter! When not crunching numbers, you can find Mark sitting back with a fine drop of Scottish Whisky soaking up some even finer tunes.
Kristen Smith
SECRETARY KRISTEN SMITH is a legal practitioner with over a decade of experience focused on large scale commercial litigation and class actions. She currently works as an Investment Manager for international litigation financier, IMF Bentham, having previously worked for Slater and Gordon in their Commercial and Project Litigation team. She has also worked at Dundas & Wilson (now CMS) in Scotland and as an Associate to the Supreme Court of Victoria’s Associate Justice Efthim. In 2004, she was awarded the Victoria Law Foundation Chief Justice’s Medal for Excellence and Community Service. She has previously served on the boards of the Australian Communities Foundation and the EastWeb foundation and is currently a member of the M.E.S.S advisory board.

technical

Bridget Chappel
SOUND
Charlie Freedman
VIDEO
Keelan O’Hehir
PHOTOGRAPHY
Paul Mylecharane and Matt Lenz (Public Office)
DESIGN & WEB
Benjamin Portas
MOTION
Jacqui Shelton
PHOTOGRAPHY
Lauren Squire
SOUND
Josh Watson
VIDEO

comrade

Elena Betros
Clare Cooper
Asher Elazary
Nathan Gray
Jason Heller
Anabelle Lacroix
Paris Lettau
Sarah Mccauley
Dr James Parker
Mino Peric
Anatol Pitt
Jessica Row
Emily Siddons
Sezzo Snot
Beth Sometimes
Mathew Spisbah
Cara Stewart
Darcy Wedd
Makeda Zucco
Ece Yavuz

Contact

info@liquidarchitecture.org.au
FB, IG, YT, SC

PO Box 12315
Melbourne
VIC 8006
AUSTRALIA

LIQUID ARCHITECTURE
SOUND INC
ABN 73128090237
ASN A0050679K

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Events
Image: Abdul Aziz Muhamat in Lorengau 2017, courtesy of Michael Green

how are you today. Listening to the Manus Recording Project Collective

Ian Potter Museum of Art
The Ian Potter Museum of Art
The University of Melbourne
Swanston Street
Parkville Victoria, 3010
6-8PM
FREE

Tickets

LISTEN TO THE MANUS RECORDING PROJECT COLLECTIVE

Since 24 July 2018, six men – Farhad Bandesh, Behrouz Boochani, Samad Abdul, Shamindan Kanapathi, Kazem Kazemi and Abdul Aziz Muhamat – have been sending daily ten minute audio recordings to The Ian Potter Museum of Art from Manus Island, where they have been detained by the Australian government for the last five years. The recordings are then played back in the gallery throughout the day. This will continue until 28 October 2018 at the end of which 14 hours of sound will have been produced. They are, in effect, developing an archive of what it sounds like to live in limbo.

At this event, we invite listeners to spend one hour with the recordings from this emerging archive – one recording from each man. Melbourne collaborators Michael Green, André Dao and Jon Tjhia will introduce and discuss.


HOW ARE YOU TODAY

Since 2013, nearly two thou­sand men have been indef­i­nitely detained on Manus Island, PNG, by the Aus­tralian Gov­ern­ment – after arriv­ing in this coun­try seek­ing asylum. When the Manus Regional Pro­cess­ing Centre was for­mally closed on 31 Octo­ber 2017, after the Papua New Guinea Supreme Court declared it uncon­sti­tu­tional, the men still detained there were ordered to relo­cate to new, smaller deten­tion cen­ters in Loren­gau, the major town on Manus. The author­i­ties elim­i­nated pro­vi­sions and removed the diesel gen­er­a­tors pow­er­ing the facil­ity, but the men refused to leave: the cul­mi­na­tion of years of organ­ised resis­tance against their invol­un­tary and indef­i­nite deten­tion. Even­tu­ally, they were force­fully evicted.

The work com­mis­sioned for Eaves­drop­ping is a col­lab­o­ra­tion between some of these men – Farhad Ban­desh, Behrouz Boochani, Samad Abdul, Shamin­dan Kana­p­athi, Kazem Kazemi and Abdul Aziz Muhamat on Manus – and Michael Green, André Dao and Jon Tjhia in Mel­bourne. Every day for the dura­tion of the exhi­bi­tion, one of the men on Manus will make a sound record­ing – of any­thing they like or noth­ing much at all – and send it ​‘onshore’ for swift upload to the gallery. No doubt the vagaries of weather, black­outs and tech­nol­ogy, along with chang­ing per­sonal, polit­i­cal and legal con­texts, will inter­vene along the way.

how are you today opens a chan­nel for a form of speech at a moment when words seem to have been exhausted. It is at once an extremely inti­mate work – a rare oppor­tu­nity to listen to these men lis­ten­ing, only very recently, some four thou­sand kilo­me­tres away – and a highly polit­i­cal one. It intro­duces the Manus sound­scape to the gallery not just for the sake of the sounds-in-them­selves, not just as a matter of curios­ity (though the work will surely pro­duce an archive of real his­tor­i­cal value), but in a way that directly impli­cates the lis­tener and demands that we attend to the politico-legal con­texts that pro­duce and frame them.

ABDUL AZIZ MUHAMAT is a 25-year-old man from Darfur, Sudan. He is from the Zaghawa eth­nic­ity, and with his family, he fled his vil­lage to a refugee camp. He arrived in Aus­tralia by boat in 2013 and was taken to Manus Island, where he remains. He has become one of the pri­mary public voices among the men there, includ­ing through the multi-award win­ning pod­cast, The Mes­sen­ger.

FARHAD BAN­DESH is a 36-year-old Kur­dish musi­cian, painter and poet who has been detained on Manus Island for over five years. Before seek­ing asylum, he worked as a guitar maker, and has no formal art train­ing. Whilst in deten­tion, he has pro­duced solo and col­lab­o­ra­tive works of music, art and writ­ing. He loves nature and is a keen gar­dener; his sis­ters now look after his plants.

BEHROUZ BOOCHANI is a Kur­dish-Iran­ian writer, jour­nal­ist, scholar, cul­tural advo­cate and film­maker. He was writer for the Kur­dish lan­guage mag­a­zine Werya. He writes reg­u­larly for The Guardian and sev­eral other pub­li­ca­tions. Boochani is also co-direc­tor (with Arash Kamali Sar­ves­tani) of the 2017 fea­ture-length film Chauka, Please Tell Us the Time, and author of No Friend but the Moun­tains: Writ­ing from Manus Prison. He has been held on Manus Island since 2013.

KAZEM KAZEMI is a 36-year-old Kur­dish musi­cian, heavy metal and rock song­writer and poet. Before seek­ing asylum in Aus­tralia, he lived in Khor­ramshahr, Iran, and worked as an elec­tri­cian.

SHAMIN­DAN KANA­P­ATHI is a Sri Lankan Tamil refugee. In Sri Lanka he was a mar­ket­ing exec­u­tive and a stu­dent.

SAMAD ABDUL has been detained in an Aus­tralian run off­shore deten­tion centre on Manus for the last five years. He loves cricket and his only dream was to be a pro­fes­sional crick­eter but politi­cians have taken his dream and used him as a polit­i­cal pris­oner. Although his five years will not come back, he now wants to be a social worker to help those who are in pain.

MICHAEL GREEN is a writer, radio-maker and pro­ducer. He is the host of The Mes­sen­ger pod­cast and his work has won many national and inter­na­tional awards, includ­ing the 2017 Walk­ley Award for Radio/​Audio fea­ture. He has trav­elled to Manus Island twice.

ANDRÉ DAO is a writer of fic­tion and non-fic­tion. He is the co-founder of Behind the Wire, an oral his­tory project doc­u­ment­ing people’s expe­ri­ence of immi­gra­tion deten­tion, and the deputy editor of New Philoso­pher. He is also a qual­i­fied lawyer, and has worked with asylum seek­ers and refugees in a legal capac­ity.

JON TJHIA is a radio-maker, musi­cian and writer. As the Wheeler Centre’s senior dig­i­tal editor, he led the Wheeler Centre’s col­lab­o­ra­tion with Behind the Wire to pro­duce The Mes­sen­ger. He’s a co-founder of Paper Radio and the Aus­tralian Audio Guide.


Eaves­drop­ping is a col­lab­o­ra­tion between Liquid Archi­tec­ture, Mel­bourne Law School and the Ian Potter Museum of Art, com­pris­ing an exhi­bi­tion, a public pro­gram, series of work­ing groups and tour­ing event which explores the pol­i­tics of lis­ten­ing through work by lead­ing artists, researchers, writ­ers and activists from Aus­tralia and around the world.

Curators Joel Stern (Liquid Architecture) Dr James Parker (Melbourne Law School)

https://eavesdropping.exposed/


We acknowledge the Wurundjeri, Boonwurrung, Taungurong, Dja Dja Wurrung and the Wathaurung people of the Kulin Nation as the custodians of the land in which this event takes place, and we recognise that sovereignty was never ceded. We pay our respects to their Elders, past, present and emerging.
Artists

Manus Recording Project Collective; Michael Green, André Dao, Jon Tjhia, Abdul Aziz Muhamat, Farhad Bandesh, Behrouz Boochani, Samad Abdul, Shamindan Kanapathi and Kazem Kazemi

WORK: how are you today




"Speaking on a smuggled phone from inside the Australian-run immigration detention centre on Manus Island, Papua New Guinea, Abdul Aziz Muhamat related an anecdote about his day. He'd been standing near the gate when a security guard had called someone's name three or four times. The man was standing nearby but he didn't reply. Aziz told the guard to call his ID number instead - the man responded immediately. 'Look, man, no one is pretending here. Why should he pretend?' Aziz told the guard. 'We forgot our names.'"

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