Liquid Architecture is an Australian organisation for artists working with sound. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.
Our program stages encounters and creates spaces for sonic experience, and critical reflection on sonority and systems of sonic affect. To do this, we host experiences at the intersection of contemporary art and experimental music, supporting artists to produce performances and concerts, exhibitions, talks, reading groups, workshops and recordings in art spaces, music venues and other sites.
Liquid Architecture is curatorially driven and our methodology embraces research, collaborations and imaginations. We want to echo beyond local conversations, problems, debates and questions, to reverberate across media and disciplines, and so to sound out new discourses about the audible world, and beyond.
We acknowledge Aboriginal and Torres Strait Islander people as the first sovereign owners of this unceded country. We pay our respects to their Elders, past, present and becoming.
PO Box 12315
Liquid Architecture (LA) is committed to protecting the privacy and security of personal information obtained and stored about its audience or clientele, including users of this website.
We understand and appreciate that our audience or clientele and users of this website are concerned about their privacy and the confidentiality and security of any information that may be provided to us.
This policy applies when liquid architecture determines what information will be collected or disclosed, or how any information will be processed.
We take a broad understanding of what constitutes ‘personal information’. We understand ‘personal information’ to include any information relating to an identified or identifiable natural person. An identifiable natural person is one who can be identified, directly or indirectly, in particular by reference to an identifier such as a name, an identification number, location data, an online identifier or to one or more factors specific to the physical, physiological, genetic, mental, economic, cultural or social identity of that natural person.
We may update this policy from time to time by publishing the new version on our website.
THE TYPES OF PERSONAL INFORMATION LA COLLECTS
The following are examples of the types of personal information that may be collected by the organisation.
- Contact information including email address, phone number, names, gender, organisation, role.
- Connection information including linkages and referrals between people.
- Financial information including amounts paid to LA, donated to LA, or received by LA.
- When you visit our website, our server maintains an access log that includes the following information: the visitor’s IP address, the date and time of the visit to the site, the pages accessed and documents downloaded, the previous site visited, and the type of browser used.
- When you visit our website, cookies are installed on your device that provides information to Google Analytics to give us statistical information about our visitors.
HOW PERSONAL INFORMATION IS COLLECTED
LA collects personal information in a variety of different ways depending on the type of contact that is made with the organisation. We collect personal information both from individuals directly and from third parties.
- Subscribing to LA’s e-newsletter via the website, in-person or other means.
- Registering for LA’s programs of events (eg. performances, workshops, lectures)
- Purchasing a ticket for LA’s programs of events via a ticketing system (eg Eventbrite)
- Making an online enquiry.
- Making an individual donation to LA.
- Becoming a sponsor.
- Submitting a proposal to LA.
- Providing written feedback to LA.
- Through agreements with programming partners to add addresses to our mailing lists.
- Images of persons might be collected during documentation of an LA performance.
- If you become a LA Associate, Volunteer or Board Member.
LA may also collect personal information over the phone, in person or by electronic correspondence in order to undertake its regular administrative operations.
WHY PERSONAL INFORMATION IS COLLECTED
LA collects personal information in order to service the needs of its staff, audience and partnerships. This information is only used with your consent. Your personal information may be retained and used for the following purposes:
- For communicating about upcoming programs and services offered by LA and its partners.
- For documenting LA performances and events.
- To make recommendations to web-site visitors about other services that LA offers that may be of interest.
- To communicate to LA audiences on behalf of other arts or government organisations offering information regarding their products.
- To communicate with staff, artists, associates, volunteers, or Board Members.
- Notifying changes of program details.
- To market upcoming events.
- For market research purposes.
- To market online services.
All details are kept secure at all times and any individual may request their information is not used for direct marketing, research or any other purpose.
DISCLOSURE OF PERSONAL INFORMATION
LA will not sell, lend, disclose, or give personal information of its audience or clientele to external individuals or organisations without first obtaining the customer’s consent.
LA may, however, disclose your personal information or financial data (information exchanged in transactions relating to donations, ticket purchasing or any other product sold):
- To our insurer or legal advisors for the purpose of obtaining insurance coverage, obtaining professional advice, and managing risks.
- To our payment services providers or financial institutions. LA will share transaction data only to the extent necessary for processing, refunding, or dealing with queries about payments.
- In a situation where such disclosure is necessary for compliance with a legal obligation that LA is subject to, or in order to protect the vital interests of a person.
LA will not disclosure personal information to recipients in another jurisdiction unless that jurisdiction has a privacy regime at least as equally protective as Australia. LA will always ask for specific consent before disclosing personal information to a recipient in another jurisdiction.
PERSONAL INFORMATION ACCURACY
LA is committed to ensuring all personal information it collects is accurate, complete and up-to-date. However, the accuracy of this personal information to a large extent depends on the information provided by its clients. LA asks that all clients:
- Advise us if you become aware of any errors in your personal information.
- Advise of any changes in their personal details, such as address, email address and phone number.
At any time, any person has the right:
- To know what personal information LA holds about them and how it has been used.
- To correct or alter any personal information LA holds about them.
- To have the personal information about them erased.
- To withdraw consent for the collection, retention, disclosure, use or processing of personal information.
- To make a request or inquiry, write to firstname.lastname@example.org
The LA website contains links to other sites. LA is not responsible for the privacy practices of other sites. LA encourages users when they leave the site to read the privacy statements of each and every web site that collects personal information. This privacy statement applies solely to the activities of LA.
OUR DATA SECURITY POLICY
LA takes steps to prevent the personal information it holds from misuse, loss, interference or unauthorised access. Personal information is never stored in cloud servers.
LA will also destroy or de-identify personal information when it is no longer needed, or when requested.
Archives in Motion
Liquid Architecture’s Jessica Row curates a suite of experimental sonic performances by artists and musicians as part of ‘Archives in Motion’, a day of presentations responding to TarraWarra Museum of Art’s exhibition, ‘TarraWarra International 2017: All that is solid…’
The day begins on a bus that departs Federation Square for TarraWarra. Melbourne’s DJ Sezzo Snot will hijack the vehicle’s sound system to present The Grain in the Stone, an eclectic music set exploring abandoned pasts and imagined futures, framed through the moving panorama of the bus window. Sezzo Snot’s work has emerged as a club DJ who combines social media commentary, philosophy and a strong interest in contemporary art, to engage cultural politics through music.
Following arrival at the museum will be an artists’ panel chaired by TarraWarra Director Victoria Lynn, entitled 'Archives in the Present', featuring Tom Nicholson, Patrick Pound and Cyrus Tang. The panel discussion will lead into a literary response to the exhibition by acclaimed novelist Lia Hill, before the sound will disperse to multiple sites.
By TarraWarra’s lake, Melbourne artist Jacqui Shelton’s vocal performance 'Fermenting' will be recited via megaphone, towards an imaginary listening subject, an entity encompassing lake, wine, gallery, exhibition, history, and hill. Jacqui says of the work “Today feels like everything is a little slippery, there might be some singing to help remind myself of the words.” Her research driven practice considers the intimacies produced through the encounter of two bodies in conversation, using the potential of spoken word and how this manifests in a body, to think about ways of approaching political and social difference.
Back inside the museum will be the final lecture in the 2017 Writing & Concepts series with Erik Jensen, speaking on the work of writer Kate Jennings in his presentation Picturing Holes.
The second round of performances will begin In the North Gallery of TarraWarra, where Australian / Chilean multimedia artist Bryan Phillips A.K.A Galambo will present new work Torn, an electroacoustic enactment of the torn territories around TarraWarra. Exploring what is lost when land is stripped of its resources, Bryan Phillips’ practice is based in sound-performance and the use of electronic and acoustic material to help imagine connections between peoples and their territories.
Following this, Melbourne artist Geoff Robinson will present 'Itinerant Sound – All That Is Solid…', a participatory hand bell performance to create a situation where a concentrated sonic mass disperses through movement. Within a set of physical and instructional boundaries the participant’s decisions through movement will transform the sonic and spatial experience from the directional and contained to the indeterminate and dispersed. Geoff Robinson’s practice creates event-based artworks that explore the relationship between the durational qualities of sound and performance and the spatial conditions of physical sites. To be a part of Geoff’s performance, click here.
And, as a finale, Eric Avery, a Ngiyampaa, Yuin, Gumbangirri and Bundjalung man, will use language and violin to express the interconnection of sound and voice to history and back to country in the North Gallery of TarraWarra. Believing in the strength of his people’s art, Eric aims to revitalise aboriginal language in his practice. To speak his ancestors tongue is what Eric describes as being a transformative experience – to hear the different intonations is an inspiration musically and to engage with his language is a continuance of culture.
At 5.15PM, the bus will return you home, to deposit this experience in the archives of your own memory, always in motion.
‘Archives in Motion’, is presented by TarraWarra Museum of Art, in partnership with Liquid Architecture and Writing & Concepts, inspired by the exhibition ‘TarraWarra International 2017: All that is solid…’ curated by Director Victoria Lynn.We acknowledge the Wurundjeri, Boonwurrung, Taungurong, Dja Dja Wurrung and the Wathaurung people of the Kulin Nation as the custodians of the land in which this event takes place, and we recognise that sovereignty was never ceded. We pay our respects to their Elders, past, present and emerging.
electronic and acoustic sounds that help imagine the making of communal sonic rituals
The music of our ancestors in lines,
Songs need physical reality
the performance and spatial conditions of physical sites
thinking about mining/”mine”ing.
Straight-talking, deck-spinning, hostess-provocateur